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au bon beurre resume Sujet : Il n'y a pas de quoi rire. Write Essay Global Warming! De fretyl, le 25 mai 2010 a 23:10. In Tennessee! En deux parties Au bon beurre dure trois heures. Argument Global! Telefilm diffuse dans les annees 80, realise par Edouard Molinaro avec une pleiade d'excellents acteurs : Roger Hanin, Andrea Ferreol, Claude Brosset, Dora Doll, Christine Pascal … Ceux qui l'ont vu ne l'ont generalement pas oublie. Steps Composing Essays! Dans Au bon beurre, on write essay warming rit ; alors qu'en fait il n'y a vraiment pas de quoi. Tehran Photo Essay! Le film raconte l'ascension d'un petit couple de cremiers particulierement cyniques et immondes ( les Poissonard ) Roger Hanin et Andrea Ferreol. Write Argument Essay! Ne reculant devant aucune saloperie pour essayer de tirer profit de l'occupation allemande. Petainiste au depart, allant meme a Vichy apporter des ?ufs au Marechal , puis Gaulliste … A la Liberation, bien sur… Le sinistre couple n'ecarte sous l'occupation aucune infamie, se transformant en une veritable caricature des Francais sous l'occupation.

Andrea Ferreol gentille a la caisse avec les clients, se revant bourgeoise et qui la nuit par mechancete et parce-que ca la demange envoie une lettre de denonciation a la Kommandatur, pour denoncer sa voisine, qui cache son fils evade d'un camp de prisonniers allemand. Namesake Essays! Le couple Poissonard, se ruant sur l'adolescente qu'ils ont embauchee et qu'ils exploitent, parce qu'elle a mange un bout de fromage, alors qu'au meme moment ils s'empiffrent dans la cuisine. Write Essay! Marche noir, trafic, ils vont meme jusqu'a tirer profit d'un Juif dont la famille a ete deporte et dont ils se servent a la liberation pour accrediter l'idee, selon laquelle ils ont toujours ete de bons Francais. Et le pire : un brave Allemand avec qui ils sont devenu ami et que Roger Hanin envoie tout droit au peloton d'execution a la fin de la guerre, lorsque celui-ci se refugie chez celui qu'il croit etre son ami. Persuasive! Je ne peux pas non plus, faire la liste de toutes les immondices dont ils sont capables… Pendant trois heures, on write argument essay global warming gravit inlassablement dans le cynisme, dans l'humour noir, dans le rire jaune. Nursing! Contrairement a Gerard Jugnot avec Monsieur Batignole, Edouard Molinaro ne trouve aucune excuse, ni aucune redemption a ces salauds. Essay Global Warming! Ils finissent la guerre millionnaires, encore plus pretentieux ; alors que le resistant en face de chez eux, ne connait aucune gloire. Cite Information Apa! Un fabuleux portrait de gens execrables, a qui on warming aimerait bien casser la gueule. Scholarship Essay! Un portrait d'une France, qui a certainement du exister. Essay Global! Une comedie, qui pourrait aussi bien etre un drame.

Roger Hanin parfois lourd est ici parfait et Andrea Ferreol est sans doute dans son meilleur role. Creative Colleges In Tennessee! De le Sage, le 26 mai 2010 a 01:51. Argument Essay Global Warming! Un portrait d'une France, qui a certainement du exister. Au sortir de la guerre, a la seule Prefecture de la Gironde, ont ete recensees pres de trois millions de denonciations… De Impetueux, le 28 mai 2010 a 11:02. Namesake Essays! 3 millions de lettres de denonciation pour la seule Gironde, ecrivez-vous, Lesage ? Ca me semble beaucoup pour un departement qui ne devait pas atteindre, en 1940, un million d'habitants (et une France a 40 millions…)… Le terrible, c'est que, si de tels malheurs qu'une Occupation survenait aujourd'hui, il faudrait surement multiplier les chiffres par trois ou quatre… De Le sage, le 29 mai 2010 a 23:31. Global! 3 millions de lettres de denonciation pour la seule Gironde, ecrivez-vous, Lesage ? Ca me semble beaucoup …. Nursing Cover! Non, non, Monsieur..Et je vous sais bien mieux place que moi pour verifier et confirmer ce chiffre. Warming! Je l'ai lu X fois et, tres curieusement, tous les acces a cette information sont aujourd'hui Inaccessibles. Action! Surtout sur internet. Argument Warming! Mais je pense qu'il est encore (et heureusement) possible a tous de se procurer les livres de Jean Dutourd, pour ne parler que de lui.

De Impetueux, le 24 septembre a 17:31. Creative Writing In Tennessee! En tout cas son style d'ecriture et son sens de la derision se sont particulierement bien pretes a la transcription televisee. Argument Global Warming! Et on tehran essay peut d'ailleurs beaucoup regretter que sa veine n'ait guere ete exploree ni exploitee par le cinema ou la television ; il est vrai que fervent gaulliste et fervent monarchiste, il n'entrait pas dans les lucarnes etroites du politiquement correct . Write Argument Essay Global! (Au fait, il fait une toute petite apparition muette (un cameo ), en acheteur ironique a beret basque dans le telefilm). Namesake Essays! Je m'explique : le roman a ete publie en septembre 1952, c'est-a-dire a un moment tres proche du deroulement des evenements relates, un moment ou toutes les manigances, les vacheries, les veuleries, les mediocrites racontees etaient encore bien presentes a la memoire des lecteurs ; je sais bien que celle-ci a tendance a oublier les petites crapoteries qu'on a commises et a valoriser ses minuscules courageuses reactions pour en faire des actes de resistance, mais enfin on essay ne peut tout de meme pas raconter n'importe quoi, ni faire mine d'oublier qu'on a acclame le marechal Petain en avril 44 avant d'aller applaudir le general de Gaulle au mois d'aout et cela avec le meme enthousiasme. Formal Argumentative Essay! Hanin joue plutot sobrement et Andrea Ferreol est gluante et ignoble a souhait ; abjects ? oui, evidemment, mais comment ne pas noter non plus leur complicite amoureuse et leur ardeur au travail ? Comment ne pas voir qu'a de rares exceptions pres, ils sont entoures de bonnes gens qui, s'ils etaient cremiers a leur place agiraient a peu pres pareillement ? Et puis j'aime toujours revoir le beau visage triste et deja suicidaire de Christine Pascal, la petite bonne exploitee… Page generee en 0.016 s. Write Global! - 5 requetes effectuees.

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Write argument essay global warming

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night and fog essay by Summer Sandhoff. student research paper UCSB Hist 133p, A documentary can be a vehicle for argument warming, witnessing many events, whether they are pleasing or traumatic. Both Alain Resnais' Night and namesake essays Fog and write argument essay Claude Lanzmann's Shoah act as vehicles for namesake essays, witnessing the events of the Holocaust. Yet Resnais and Lanzmann, because of their respective times, use their documentaries to depict the events around the Holocaust in different ways. Resnais' Night and Fog tries to shock and capture audiences with brutal historical footage in black and white contrasting with present day color footage of the write argument, same places. Claude Lanzmann's Shoah tries to provoke the nursing, audience into thinking about the accounts being told by the survivors, bystanders, and the perpetrators. The differences in the documentaries are simultaneously wrapped in the directors' purpose(s) of argument essay making these documentaries and the times/events surrounding each one.

I will argue that Resnais' Night and Fog , which was released in 1955, while wars in Indochina and namesake essays Algeria were going on, is about the atrocities France was committing in both countries. The universality of global warming this short documentary allowed all strata of French society to encapsulate their holocaust in steps essays that film and argument use it to protest against the atrocities being committed in their name. When Lanzmann's Shoah was released in 1985, many attacks on Jewish synagogues were happening and important Nazi criminals were being put on trial. I will argue that Lanzmann's documentary was very influential in promoting survivor memorials and assistant cover letter testimonies. Both documentaries were used for different reasons and argument essay warming made in namesake essays different styles: Resnais' film is short and write argument warming full of gruesome historical footage, while Lanzmann's is extraordinarily long and made up of formal outline argumentative interviews. While Resnais released his documentary Night and Fog just ten years after the camps were liberated, Lanzmann released his film forty years after the Holocaust. Alain Resnais' documentary is only 30 minutes long, yet it explores many difficult topics like comparing the write argument essay warming, time of the immediate postwar period and the 1950s (seeing how easy it was to nursing, forget), who was responsible for such atrocities, and Holocaust denial. In Andre Pierre Colombat's book The Holocaust in French Film , Alain Resnais said I've always refused the word 'memory' a propos my work… I would use the word imagination.[1] Resnais weaves remembrance and creativity in Night and Fog . The documentary is composed of fourteen brief color segments showing Auschwitz in 1955, interrupted by thirteen longer black and white scenes of historical footage. It begins with the write argument global warming, most ordinary shots of formal outline for an Europe and then leads into the dreadful events of the Holocaust. Write Argument Global? Throughout this documentary viewers are asked to locate this information in our selective memory. Resnais does this to persuasive, prod the write argument global warming, audience into remembering the events of the Holocaust, that France was a collaborator under the Vichy Regime, and the events going on during the 1950s.

Different cinematic techniques were used to delve into the many layers of this memory. There were three main types of techniques used in Resnais' Night and Fog : the use of how to information in a paper apa color (or lack of it), the soundtrack, and the chilling remoteness of Jean Cayrol's text paired with the narrator's voice. While panning around Auschwitz and showing a scene of mountains of women's hair we hear:[2] Today, on the same track there is sunlight. We run through it slowly. In search of write argument essay what? Of traces of corpses that collapsed as soon as the doors were open, or in search of the first unloaded passengers pushed to the entrance of the camp among the barking of the dogs, the lighting of the projectors. Cite Research Paper? In the distance, the plumes of the crematorium. The first few scenes in Resnais' documentary are in color, they are of the train tracks leading into Auschwitz. But one does not know that right away.

It is write essay warming supposed to be tranquil and disarming at in a paper, first, but once you realize where you are you understand that the Holocaust concerned the essay global warming, killings of over ten million individuals. The black and white footage of the camps comes into his film later. Resnais used footage from Leni Riefenstahl's 1934 The Triumph of Will documentary, and he filmed new footage to balance this tranquility in cite information research apa his short film. Some of the brutal images, like severed heads and dismembered bodies, are brief. They serve to jolt the write, consciousness of the viewers.

The soundtrack of composing essays Night and Fog is one of stark contrasts. When a scene is very emotionally charged (black and white), such as the footage of the severed heads, the music is light and barely audible. When a scene is soft and tranquil (color scenes) like the landscape footage of the present, it is exactly the opposite. Write Argument Essay? For example: [3] … such explosive oppositions are of course very frequent in Night and Fog…The most famous might be the documentary's presentations inside a camp of a symphonic orchestra, a zoo, green houses, Goethe's oak, an orphanage, a hospital for invalids…Such sequences are immediately followed by the incredibly violent punishments, humiliations and executions of the prisoners. Alain Resnais worked with the German composer Hanns Eisler to scholarship letter, score Night and essay global warming Fog . Resnais said the following about Eisler's composition: the more violent the images are the gentler is the namesake essays, music…Eisler wanted to show that the optimism and hope of man always existed in write essay the background.[4] Just as with the music, the for an argumentative, text and the narration of the text are characterized by contrasts as well. Resnais wrote in 1966:[5] I yearn for a cinema in write argument essay global warming which the text would play the role of true music…I dream of a great film in which we would hear a language that would be like Shakespeare's or Giraudoux's…I do not see why we should have the right to hear a text with true literary value, simply because we are sitting in a dark room. An example of this is when Resnais pans around Auschwitz and uses black and white footage to accompany it. The narration was is cold and so distant, the opposite nursing cover letter of the provoking images. One specific example is a scene of the write argument warming, crematorium ruins, twisted wires, deteriorating watchtowers and chambers, worn down and cracked concrete of Auschwitz.

With this scene is this text, read by the narrator: those of scholarship us who pretend to believe that all this happened only once, at a certain time and in a certain place, and those who refuse to see who do not hear the cry to the end of time.[6] In both Jean Cayrol's text and in the narrator's voice, there is no emotion, only the facts of write argument essay global warming misconceptions about the cover letter, Holocaust held by people who lived close to the time of the actual event. The tone of the narrator's voice is monotone, chosen exactly for those qualities. As Resnais said in 1966, it creates in and of itself an atmosphere of threatening fate, and [t]he voice supports the text and insists on its meanings but creates no melody, leaving that to the musical series itself.[7] This documentary is short and powerful. The footage is meant both to make an impression on viewers and to promote deep reflection among the viewers, to get them/us thinking about the Holocaust and other atrocities that may be going on in the present day. It worked in write essay global warming my Modern European History class, so it probably worked then. I remember walking out of essay on affirmative action that classroom after the film was shown and not being able to stop thinking about it. Francois Trauffaut wrote, about two decades after the documentary was made, that he had a similar reaction to argument global, this film:[8] Night and Fog is a sublime film about which it is difficult to speak.

Any adjective, any aesthetic judgment would be out of place in speaking of this work, which is not an indictment or a poem but a meditation on the deportation. The film's impact lies entirely in the tone adopted by the filmmakers: a terrifying mildness. You leave the theater feeling devastated and essay letter not very happy with yourself. Alain Resnais' documentary is meant to do that. If you leave the theater as Truffaut describes, you are ready either to remember the past or to think of it in a new light. This thinking then leads to global, other intellectual/scholarly work being produced; either agreeing and expounding on Holocaust remembrance or refuting a point and arguing a different side. Intellectual debate was needed during the 1950s and the 1960s, when France was engaged in outline essay two colonial wars, one with Indochina and one with Algeria. Within months of each other two major events in French history occurred: the argument essay, fall of Dien Bien Phu in Vietnam (7 May 1954) and the insurrection in persuasive on affirmative action Algeria (1 Nov. 1954).

Those two events play a major role in the memories of people. French imperialism/colonialism in Indochina and Algeria trigger memories of the Nazi occupation of France during WWII and the Vichy Regime's collaboration with Hitler's Germany. France's position in Indochina was one of protecting French global power/influence abroad. However, France's position in Algeria was one of protecting an extension of France. For France had been in Algeria since the 1830s and actually had settlers living in Algeria, so the Fourth Republic's viewpoint was to keep safe France's colonies and territories so they could try and rival other world powers. The 1950s and write argument essay warming 1960s were a time of decolonization, and many individuals, intellectuals and others, felt a growing political affinity for restructuring world power. One such intellectual was Alain Resnais. When he was asked what Night and Fog was about, he replied that it was all about nursing assistant cover Algeria.[9] Resnais' film was short and quick so that the argument essay warming, message of atrocities (Holocaust or not) could get transmitted to the public and generate questions for the audience to ponder and to try and search out the answers. For Resnais, he wanted his audience to essay letter, question France's position in Indochina and in Algeria.

Should France be sending troops there to quell the peoples in argument essay warming Indochina and in Algeria? Should France pull its troops out and let the Algerian people have an essay, independent country like they want? By putting such shocking footage together with such ambiguous messages, Resnais was very effective in instigating critical thoughts on nationalism and France's colonial/imperial role. Claude Lanzmann's documentary Shoah , with over nine hours of documentary and interview footage, is often praised as the masterpiece on the extermination of the European Jews. Whereas Resnais' Night and Fog is universal in its message with atrocities, Lanzmann's documentary deals specifically with the extermination of the write, European Jews in namesake essays Poland. Argument Essay Global Warming? Yet, however specific Lanzmann's documentary may be, he stated I wanted to show the absolute character of the Jewish tragedy… I wanted to show how the Jews were taken and how they were alone, abandoned by the world. That is the tragedy.[10] Why pick Poland, of all places, over France? This is the scholarship essay letter, question that Henry Rousso addresses: [11]

Why attach such importance to Polish anti-Semitism rather than to the anti-Semitism of other countries, such as France, that participated more or less voluntarily in the Final Solution. What historical link is there between the write warming, undeniable anti-Semitism of the Poles and the location of Nazi death camps in Poland (occupied and partly annexed by the Third Reich)? Is there any reason to think that, if the formal outline for an argumentative essay, Poles had not been anti-Semitic, they would have done any more than anyone else to argument essay global, stop the slaughter? These judgments are implicit in the editing and structure of the film it makes no difference that all the words are spoken by actual participants in the drama: victims, torturers, and others. Yet the force of the film lies precisely in its subjectivity, in the filmmakers avowed partiality. Action? The significance of the write argument global warming, film would have been lost if it had tried to be historical, which is to say didactic and impartial.

Lanzmann said, in how to cite information apa the same interview with Richard Bernstein, What would happen in Poland. I thought I would see an absence…a void.[12] He went there with nothing at first – no camera, no translator, just himself. Argument Essay Warming? He wanted Poland to be an example of the nursing letter, Jewish peoples' suffering during the Holocaust. In his documentary he asks the minute questions to get the bigger picture of the essay warming, Holocaust, to show the mechanized nature of the Nazi plan to annihilate the Jewish peoples of Europe. Lanzmann always said that his documentary was not a historical film … it is a work of art. [13] Because he asked such specific questions, he had to narrow the focus of his documentary, for steps composing essays, it would have taken him many more years and hundreds more hours of film to travel about each country in Europe and interview dozens of witnesses. He zoomed in on essay the experiences that Polish Jews had during the Holocaust. My sources were almost unanimous that Lanzmann's documentary is wonderful in detailing the Polish experience. However, they also say that his only sin is the essay letter, sin of omission. His film excludes other Jewish (and non-Jewish) peoples' Holocaust experiences. It is so specific that it leaves out the voices of gypsies, homosexuals, so-called asocials, criminals, and prisoners of war.

However, what Lanzmann tries to document is extremely hard to capture. One of the first survivors we encounter in Shoah says This is an untellable story. Instead of write trying to universalize the interviews/situations he presents in Shoah , he keeps a tight reign on his documentary by keeping it focused on how to information in a research his subjects. To Lanzmann, and to others, his documentary is a mixture of artful footage and insightful testimonies by survivors, bystanders, and perpetrators. Write Argument Global Warming? Simone de Beauvior, in her preface to the published screenplay, wrote: [14] Le grand art de Claude Lanzmann est de faire parler les lieux, de les ressusciter a traver les voix, et, par-dela les mots, d'exprimer l'indecible par les visages. The greatness of Claude Lanzmann's art is in making places speak, in reviving them through voices and, over and above words, conveying the steps for writers composing essays, unspeakable through peoples' facial expressions. Through careful and methodical planning and questioning, Lanzmann was able to wrench out the stories that needed to be heard. Argument Essay? His eleven years and 350 hours of footage attest to the thoroughness of his documentary.

He modeled his interviewing style after Marcel Ophuls' The Sorrow and the Pity, made in 1969. How To Cite Paper? Because that film deals with the French Resistance during the occupation and write argument questions France's role as collaborator, the film had deep resonance with Claude Lanzmann, who had been an active member of the Resistance to Occupied France, and who had resisted France's role in Algeria. Marcel Ophuls himself said that Shoah was the greatest documentary about how to in a research paper contemporary history ever made, bar none, and by far the greatest film I've ever seen about the Holocaust. [15] Lanzmann has to nit-pick his every question and write argument essay global his every location, for he has a certain vision of what his art will look like. This paper was published on a website at UC Santa Barbara in 2004. He uses goading questions in order to elicit certain responses (or lack thereof) from his interviewees. His many years of tracking down and then setting up times with these survivors, bystanders and perpetrators were no easy feat.

In his interviews, Lanzmann wastes no time. When he talks to Abraham Bomba, a barber who had to shave the heads of Jews who would be gassed, he had to prod out the rest of the man's testimony: [16] (L) We have to do it. You know it. (B) I won't be able to. (L) You have to do it. I know it is very hard. I know and apologize.

(B) Don't make me go on please. (L) Please. Nursing Letter? We must go on… Here Lanzmann was able to write argument essay warming, probe with small, pleading questions until Bomba acquiesced and allowed the interview about his traumatic experience continue. By asking the smaller questions to Bomba, Lanzmann was able to get further in the interview than another director would have. He even went to the extreme trouble of steps for writers composing renting out a barber shop so that Bomba would cut hair again, whilst doing the interview. In another interview, with Joseph Oberhauser we see Lanzmann use silence and avoidance as means to convey a pertinent message that these perpetrators feel guilty for their deeds done during the Holocaust. Here Lanzmann enters a beer hall with a camera and seeks out this former Nazi officer of the Belzec extermination camp. He goes straight to the bar and begins the write argument warming, interview with a seemingly harmless question: [17] (L) Excuse me. How many quarts of beer a day do you sell?

You can't tell me? (O) I'd rather not. I have my reasons. (L) But why not? How many quarts of beer a day do you sell? (O) ….a period of silence. (another bartender) Go on, tell him. (O) Tell him what? (L) Just tell him approximately. (O) Four hundred, five hundred quarts.

(L) That's a lot! Have you worked here long? (O) Around twenty years. (L) Why are you hiding your face? (O) I have my reasons. (L) Do you recognize this man? (O) …glances at the photo…. (L) No? Christian Wirth?

Mr. Oberhauser! Do you remember Belzec? No memories of Belzec? Of the overflowing graves? You don't remember?

(O) Wanders aimlessly behind the bar with a cigarette in hand, desperately trying to avoid the camera. Claude Lanzmann wanted to show, through Oberhauser's silences, his avoidance of the camera, and refusal to answer questions, that Oberhauser does indeed remember Belzec and the overflowing graves and that he feels shameful about his deeds. By showing this to the audience, Lanzmann is able to show how the perpetrators of the Holocaust feel about their past actions. With a camera, himself, and at times a translator, Lanzmann is able to grab the attention of audiences by allowing survivors, bystanders, and scholarship perpetrators to tell their stories. The type of discourse created by Lanzmann in his documentary Shoah , which is transmitted by write argument warming, the interviewee to persuasive essay on affirmative action, the audience members, is perfect for the times. Write Argument Essay Global Warming? In the 11 years during which Claude Lanzmann worked on persuasive essay on affirmative the film, 1974-1985, made a documentary that was not like Holocaust films before his. France during the late 1970s and early 1980s (back to write argument global, top) Anti-Semitism was still in on affirmative existence in France after the global, war was over, even if those in composing France wanted to believe differently. There were many court scandals and pardons that occurred during the 1970s that put the write argument essay global warming, spotlight on France and illuminated her anti-Semitism.

The analyzation of the Touvier Affair will show that remembrance of the Holocaust was in jeopardy in France during the paper, 1970s. By looking at this one can see what French intellectuals, such as Claude Lanzmann, had to try and disentangle from their society if the Holocaust wanted to remain untouched by revisionists' hands. Paul Touvier became the first Frenchman ever to be found guilty of crimes against write argument humanity for ordering the for writers composing, killing of write essay seven Jews in 1944, while serving the collaborationist Vichy government. How To Apa? Touvier said this was for retaliation for the killing of Philippe Henriot, the write argument essay warming, Vichy minister of information, and that more Jews might have been killed if the Nazis had not been appeased. After being captured in 1947, Touvier escaped his captors and went into hiding. The statute of limitations for Touvier's crimes came up in 1967. Persuasive? In 1971 he was given a pardon by President Georges Pompidou, permitting him to return to Lyon. Even after many letters of protest and, essentially, hate mail, Pompidou did not back down or change his mind. Henry Rousso documents this speech in his book: [18] Over the past thirty years or so, our country has lived through a series of dramatic events.

The war, the defeat and its humiliations, the Occupation and its horrors, the Liberation, and in argument reaction the purge and -- let us be frank -- its excesses, the war in Indochina, and then the dreadful Algerian conflict and its horrors, on both sides, and the exodus of namesake essays a million French citizens driven from their homes, followed immediately by the OAS and its murderous attacks and violence, and then, in reaction, the repression. As one who was denounced by the men of Vichy to the German police and who twice escaped assassination attempts by the OAS, once at argument essay warming, General de Gaulle's side and once in attack aimed directly at me, I feel I have the right to ask if we are going to keep the wounds of nursing our national discord bleeding eternally. Hasn't the time come to draw a veil over the past, to forget a time when Frenchmen dislike one another, attacked one another, and even killed one another? I say this not out of political calculation, although I see that there are some sharp minds here, but out of respect for France. Rousso states that Pompidou's motives were to act out of global clemency. After being indicted in 1973, he vanished. He evaded the assistant letter, law until 1989, when he was captured at a monastery in Nice. I regret nothing, he said at essay, his arrest. Touvier died from prostate cancer at the age of 81 in composing essays 1996, while incarcerated.

This example shows that an important figure in French society was telling people they should lay the write essay global, past to rest and move on. This is exactly what Lanzmann did not want to happen. Cover? In Annette Insdorf's book Lanzmann says, I have a strong sense of urgency to relive all of it, to write global warming, retrace the steps.[19] Lanzmann, in a voice over in the film, says I'll help you remember, and as Insdorf notes, it is a main theme in Shoah . Insdorf also recounts an interview with the director in which Lanzmann states memories are full of holes…But if you re-create the action, scene in concrete conditions, you get not just memory but a re-living. [20] Waves of anti-Semitic attacks began in the late 1980s, with those attacks being on synagogues and other demonstrations motivated by racial prejudice. Throughout 1980-81 there were attacks and counterdemonstrations that surrounded feelings of write argument warming France at this time. In 1983 Klaus Barbie was charged for crimes against humanity and the German newsweekly Der Stern published Hitler's purported diaries, which later turned out to be forgeries.

Of this Colombat writes: [21] The impact of Shoah in how to information research paper the France of the argument essay global warming, late eighties was increased by Klaus Barbie's arrest and trial, the various anti-Semitic terrorist actions of the assistant cover, late seventies and early eighties (rue de Medicis, 1979; rue Copernic, 1980; and at write argument essay global, Jo Golderberg's restaurant, 1982), the various scandals surrounding the theses of the revisionnistes (Faurisson's trial, 1983) as well as the announcement of the trial of various French Collaborators (Leguay, Touvier, Papon; 1979, 1981, 1983.) The trial of Klaus Barbie happened during the nursing assistant, mid to late 1980s, a time when many survivors were facing their historicization through the processes of the write essay global, courts. The courtroom served as somewhat of an educator an avenue for national memory of namesake essays France's Vichy past and deeds done by Nazis to the Holocaust victims and survivors. Write Warming? The Klaus Barbie trial, and others trials, allowed Holocaust survivors to for writers composing essays, come forward and argument essay global tell their stories. Because people were moving away from simple discussion to persuasive on affirmative action, violent/radical actions, new means of information on the Jewish tragedies in the Holocaust needed to be created and distributed. Lanzmann's Shoah had to show this because he felt that archive film of the death camps was losing its impact upon audiences. [22] Shoah 's film style of interviews was needed during this time to juxtapose the violent attacks going on in France. The court ruling on write essay warming whether Klaus Barbie would be tried took place in 1985, the same time that Lanzmann's Shoah was released.

He was charged with crimes against humanity, and the actual trial took place from May to July of namesake essays 1987. Henry Rousso documents in his book that Shoah was broadcast on French television during the argument warming, Barbie trial. [23] Claude Lanzmann's documentary is similar to the court testimonies given by Barbie's victims. As Lanzmann himself said at the time of the Barbie trial, about the how to information research, remembrance of atrocities: [24] What counts is not education, which is teaching of lifeless knowledge. It is transmission, resurrection, abolition of the write argument global warming, distance between past and present. Trials are not memorials…. Action? If what is at global, stake is transmission, in the sense of for writers transmitting what actually happened, it was more important to make Shoah than to have a trial forty years after the fact. While anti-Semitism in French history was undergoing harsh scrutiny in his country, Lanzmann wanted to remind people of the atrocities committed during World War II, while staying within a present day context. The atmosphere surrounding Night and Fog was the commemoration of the 10 th anniversary of the liberation of the essay global, camps, and the France's wars in Indochina and Algeria. Outline? Knowledge of the camps was disseminated to the public right after liberation and in the years following, but it was not until years later that actual critical discussion of the Holocaust took place.

I believe that Resnais set out, with his documentary, to instigate a need for discussion of the essay global warming, Holocaust and apply its lessons to the present. With Shoah , Lanzmann wanted to let the audience hear the words of the letter, people directly involved in the Holocaust, in write argument essay global warming a more personal setting (as opposed to viewing historical footage). Nevertheless, for what they set out to do, both Night and Fog and Shoah were successful. Both directors and documentaries have won awards and recognition for creating such powerful and moving pieces and for establishing/re-creating a historical discourse of the Holocaust . Lanzmann, Claude, Shoah (1985) New Yorker Films: 503 minutes. This documentary took 11 years for Claude Lanzmann to for writers essays, make. It is over write argument, nine hours long and essay on affirmative it does not produce a single scene of historical footage. It is global warming simply face-to-face interviews about survivors' and perpetrators' stories.

The many stories enable to Holocaust to be witnessed to us, the viewers. Resnais, Alain, Night and Fog (1955) 31 minutes. This brutal and often gruesome documentary is by far the most thought-provoking footage I have ever seen. This documentary uses two types of footage: black and formal argumentative essay white historical footage of the concentration camps, and color footage of the present day 1950s. Armes, Roy, The Cinema of Alain Resnais. (New York: A. Zwemmer Limited, 1968). This book looks at the films done by Alain Resnais over the many years. The author also examines Night and argument essay global Fog. Austin, Guy, Contemporary French Cinema: An Introduction. Outline Argumentative Essay? (Manchester, New York: Manchester University Press: 1996). This book looks at movies/documentaries from French filmmakers of essay global warming all genres.

Both Night and Fog and Shoah are examined. This author contrasts and compares the namesake essays, two documentaries. Avisar, Ilan, Screening the Holocaust: Cinema's Images of the argument warming, Unimaginable. (Bloomington, IN: Indiana University Press, 1988). This book looks at the stylistic approaches to outline for an argumentative, representing the Holocaust in essay global films. It reviews both Night and Fog and essay Shoah in the chapter The Discontents of Film Narrative. Colombat, Andre Pierre, The Holocaust in French Film. (London: The Scarecrow Press, 1993).

This book looks at write essay, the representations of the Holocaust in films from Occupation to the present day. The author does this by looking at Alain Resnais' Night and cite in a apa Fog , Marcel Ophuls' The Sorrow and the Pity , and Claude Lanzmann's Shoah . This book looks at each film from many different perspectives, visually and textually. Hirsch, Joshua, After Image: Film, Trauma, and write essay global the Holocaust (Philadelphia: Temple University Press, 2004), 1-87. Hirsch's book focuses specifically on Holocaust documentaries. Information In A Research Paper Apa? It has three chapters of relevance here: Introduction to Film, Trauma, and the Holocaust (chapter one), Night and Fog and write argument essay the Origins of Posttraumatic Cinema (chapter two), and outline argumentative Shoah and the Posttraumatic Documentary after Cinema Verité (chapter three). Insdorf, Annette, Indelible Shadows: Film and argument the Holocaust (Cambridge, UK: The Press Syndicate of the University of Cambridge, 2003), 37-38, 200-201. Insdorf's book takes films that deal with the Holocaust (over the past five decades) and analyzes them and puts them into contexts of their days. This book looks at how to information research paper, both Night and Fog and Shoah . Lanzmann, Claude, Shoah: An Oral History of the write argument essay, Holocaust. (New York: Pantheon Books, 1985). This is the entire text of Claude Lanzmann's documentary Shoah . I found this book useful when viewing the documentary when there were many languages spoken at namesake essays, once, and to refer back to to find out what exactly was said during specific interviews. Rousso, Henry, The Vichy Syndrome: History and Memory in France since 1944, translated by Arthur Goldhammer (Cambridge, MA: Harvard University Press, 1994, 237-239. Rousso's study of the Vichy Era looks at what France has chosen to revere and what to keep silenced.

This book discusses both Night and Fog and Shoah , and it has a very concise history of events in France during, and between, those two documentaries. Schreivogel, Paul. Write Essay Warming? A., Night and Fog: A Film Study. (Dayton, OH: A. How To Paper Apa? Pfaulm Publisher, 1970). Although very short and argument warming very narrow in its focus, I find this book useful because it quotes excerpts from the film script. Wilson, Emma, French Cinema Since 1950: Personal Histories (Lanham, Maryland and Boulder, New York: Rowman Littlefield Publishers, Inc., 1999), 83-88. Wilson's book describes and analyzes postwar French cinema. Her book covers both Night and Fog and Shoah , although it focuses a great deal more on namesake essays Shoah then it does on Resnais' film.

Still, Wilson pays more attention to detail than many longer reviews. Andre Pierre Colombat, The Holocaust in French Film (London: The Scarecrow Press, 1993), pg 125. (back) Colombat, pg 127. (back) Joshua Hirsch, Afterimage: Film, Trauma, and the Holocaust (Philadelphia: Temple University Press, 2004) pg. 52. (back) Roy Armes, The Cinema of Alain Resnais . (London: A. Zwemmer Limited, 1968), pg 50. (back) Alain Resnais, Image et Son 196 (July, 1966) in: Andre Pierre Colombat, The Holocaust in French Film , pg 142. (back) Paul A. Essay Warming? Schreivogel, Films in Depth: Night and Fog (Dayton, OH: A. Pflaum Publishers, 1970), pg 4. Nursing Cover? (back) Colombat, pg 144. (back) Henry Rousso, The Vichy Syndrome: History and Memory in France since 1944 (Cambridge, MA: Harvard University Press, 1991), pg 229. (back) Alain Resnais, Image et Son 196 (July, 1966) in argument global warming Guy Austin, Contemporary French Cinema: An Introduction . (Manchester, NY: Manchester University Press, 1996), pg. 27. Essay Action? (back) Richard Bernstein, An Epic Film About the Greatest Evil of Modern Times, New York Times , Oct. Write Warming? 20th, 1985. (back) Rousso, pg. 238. (back) Bernstein, New York Times interview/review of the film at its opening. (back) Claude Lanzmann, Le Lieu et la parole, Cashiers du cinema 374 (July-August, 1985). (back) Emma Wilson, French Cinema Since 1950: Personal Histories (Lanham, NY: Rowman Littlefield Publishers Inc., 1999), pg 86. (back) Alain Resnais, Image et Son 196 (July, 1966), in Austin, pg. 86. (back) Claude Lanzmann, Shoah: An Oral History of the Holocaust, The Complete Text of the Film (NY: Pantheon Books, 1985), 117. (back) Lanzmann, Text of Film , pgs. 63-64. (back) Georges Pompidou, in Le Monde , Sept. 23rd 1972, cited by Rousso, The Vichy Syndrome, pg. 123. (back) Annette Insdorf, Indelible Shadows: Film and the Holocaust (Cambridge, UK: Cambridge University Press, 2003), pg.

238. (back) Insdorf, pg 240. (back) Colombat, pg. 99. Scholarship? (back) Austin, pg. Write Argument Essay? 25. Persuasive? (back) Rousso, pg. 217. (back) Shoah et la shoah Interview with Claude Lanzmann in Rousso, The Vichy Syndrome . (back)

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