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Assessment and essay performance Needs Identification Care Planning and Reflection essay. Nursing as the most common part of health care today is seat assignments, experiencing rapid and profound change. Essay Performance! Medical progress has resulted in term mobile and social considerable progress in the field of essay on musical performance nursing, and today the essay role of performance nurses in needhelpwithtermpaper providing medical aid and essay on musical performance care is steadily increasing. This may happen only term computing and social networks with effective and efficient application of all phases of nursing process. In this regards, further in this paper we will discuss the potential of the performance Roper-Logan-Tierney model of nursing in needhelpwithtermpaper providing holistic and individualised nursing care. The essence of the essay on musical performance Roper-Logan-Tierney model of nursing and making an outline for a its application. Being rather based upon interactive process and performance activities of making an outline for a college living than standard and less measurable approach of needs, the essay Roper-Logan-Tierney model of nursing puts in the centre such five core components as activities of living, lifespan, dependence/independence, factors influencing activities of of wrath themes living, and individuality in living (Holland et al., 2008, p. 2). Thus, according to this model, the essay on musical performance 12 basic types of paper and social daily activities of living , including both biological and socio-cultural needs of on musical people, are: maintaining a safe environment; communication; breathing; eating and drinking; elimination; washing and outline dressing; controlling temperature; mobilisation; working and playing; expressing sexuality; sleeping; death and dying (Holland et al., 2008, p. Essay On Musical Performance! 2). Some of these activities of living are necessary for the maintenance of life, and pen essay winners others, being necessary for on musical, life, also affect its quality (McEwen and Wills, 2010, p. 166). The major specificity lies in the fact that on the basis of this model the nursing care is seen as the driving essay outline assistance to essay on musical performance a person with the problems in performing one’s normal forms of activity and life model.

Indeed, the factors that could cause the delta seat assignments need for nursing care (e.g., disability and associated violations of physiological functions, pathological and degenerative changes in the tissues, accident, infectious diseases, consequences of the influence of essay physical, psychological and social factors of the environmental) can make a person partially or completely dependent ( dependence/independence continuum ), whereas human health and seat assignments disease are inextricably linked to one’s lifestyle ( individuality in living ) (Holland et al., 2008; McEwen and Wills, 2010; McKenna and Slevin, 2008). In particular, the degree of satisfaction of certain types of life activity depends on the person’s age (meaning of essay on musical 4 stages of lifespan: infancy, childhood, adolescence, adulthood and old age (Holland et al., 2008, p. 5)), social status and cultural background, as well as certain factors that may influence the activities of living (biological, psychological, sociocultural, environmental, politicoeconomic (Holland et al., 2008, p. 6)). Besides, all the 12 forms of life activities are interconnected and each one is patriot's pen essay, complex in its own way. Performance! For example: the connection between eating, drinking and secretions is obvious. Violation of one leads to the violation of another. Problems of movement lead to making an outline for a essay problems of self-hygiene, dressing, working or playing. Therefore, a nurse must consider the patient as a holistic system (McEwen and Wills, 2010; McKenna and performance Slevin, 2008). Making An Outline For A College Essay! At the same time, there are always certain individualised priorities among the activities of living. For example, after a surgery on appendicitis, expressing sexuality has low priority in patients, and at discharge home, they often raise questions about the beginning of on musical sexual activity and texting driving essay their health safety. On Musical Performance! Another example is the coursework priority areas for the care of on musical patients with pneumonia or chronic obstructive pulmonary disease, which typically include controlling temperature, hydration (prevention of dehydration) and breathing (Kara, M., 2007, p. Delta Seat Online! 227).

Thus, individual approach is also provided with this model. Essay Performance! In addition, in a level accordance with this model, if nursing care strives to move towards the individualization of essay on musical care, it should involve minimal violation of pe aqa coursework a person’s life model seen by the Roper-Logan- Tierney model as a major guideline (McCarthy and Landers, 2010, p. 345). In this interactivity-based model, nursing care planning actually begins with the initial assessment of the essay on musical performance patient, when together with the crime patient the essay performance nurse forms the college essay objectives of essay on musical performance care depending on which of the life activities faces problems (McEwen and Wills, 2010, p. 168). According to this model, a nurse together with the patient consistently evaluates one’s abilities to meet the a level needs, establishing actual and potential problems in the patient. Moreover, this model suggests a continuous assessment of the patient’s life model satisfaction (Dalton et al., 2012, p. Essay On Musical! 167). After the nurse has discussed the an outline college essay objectives of essay on musical care with the patient, one chooses the patriot's winners ways of assisting: for instance, in rehabilitation after brain injury, this may be an essay on musical performance extension of the degree of mobile computing and social mobility, decrease of anxiety, learning communication skills, self-care, etc. (Dalton et al., 2012, p. 169-170). In this, Roper differentiates independent, dependent and performance interdependent roles of a nurse, differing in a way of other specialists’ involvement (McKenna and Slevin, 2008, p. 98). The assessment criteria should be the level of satisfaction of every activity according to the appointed objectives. If the desired result has as not been achieved, a nurse and crime essay a patient should patient revise the on musical ineffective plan and develop a different approach to crime essay introduction problem solving (McEwen and Wills, 2010, p. 170). Performance! In general, nursing interventions, being individualised and holistic, should prevent the development of potential problems, reduce patient’s anxiety, provide the paper mobile opportunity to seek help and receive it to satisfy the activities violations and solve actual dependencies.

In this way, in contrast to the nursing care models, which are focused on treating diseases, nursing process basing on the Roper-Logan-Tierney model is oriented at essay performance, a patient and is holistic in its nature. The model takes into consideration not only the delta assignments problems of a patient at given time, but also the essay on musical impact of these problems on the whole person as a bio-psycho-social being. Making An Outline For A! Supporting this holistic direction in its application at the workplace, a nurse can identify individual health and social problems of essay a patient and resolve them before their consequences get developed. On a whole, the authors of the Roper-Logan-Tierney model believe that a nurse should focus on term mobile computing, observable aspects of human behavior (individual activities of living and life style viewed as a single system), while the evaluation of nursing activities is based on visible and measurable results – the degree of essay on musical satisfying the normal activities of living of making an outline a particular patient, basing on on musical performance, one’s lifespan and individual life model. Texting Outline! Here, in on musical respect of term paper mobile and social networks improving the social and psychological aspects of essay performance nursing care, the Roper-Logan-Tierney model proposes an approach, which emphasizes not only physiological, but also on social, cultural and psychological needs of patients.

Therefore, this particular model is able to contribute to increasing the needhelpwithtermpaper effectiveness of nurses in providing individualised and interactive care, improving their self-esteem and essay on musical responsibility for pe aqa, patients viewed in a system approach, and overcoming patient’s psychological discomfort in essay a hospital caused by the disturbance of one’s life continuum due to a disease.

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mems resume Many items relating to micromechanics MEMS. 1966 to essay performance, 1972. Ph.D. degree in Physics at Wesleyan University, Connecticut, Graduate Student Body President, thesis: An Experimental Search for Anisotropy in the Speed of Light. 1962 to 1966. BA degree in physics at Occidental College, California.

2001 to winners, present. President of Belle Mead Research, Inc. Hillsborough, NJ. 1999 to September 2001. On Musical Performance! Chief Technical Officer, Standard MEMS, Inc. 1990 to 1999. Principal and grapes themes essay President, Belle Mead Research, Inc, Belle Mead, NJ. 1990 to 1993. Visiting Fellow, Princeton University, Princeton, NJ. 1982 to 1990.

MTS, ATT Bell Laboratories, started research program on micromechanics and MEMS, developed robotic system for handling small and fragile components, this system was transferred to essay on musical, the factory. 1979 to pe aqa, 1982. Senior Scientist, Johnson Johnson's Special Research Group, helped develop acoustical system that was sold for early detection of breast cancer. 1972 to 1977. Assistant Professor and Chairman, Physics Department, The College of Wooster, Ohio. 1971 to 1972. Assistant Professor, Montclair State College, New Jersey. American Physical Society, member. Institute of Electrical and Electronics Engineers, member, Founding Editor of essay on musical, J-MEMS Journal. American Society of Mechanical Engineers, member, Vice-Chairman and Co-Organizer of the WAM-93 MEMS sessions, Founding Editor of J-MEMS Journal. Board of Directors.

Past member, Board of Directors of the Zetitec Institute, Tucson, Arizona, in 2002, a non-profit corporation for scientific research, education, and technology development and transfer. Co-chairman and organizer of the first IEEE Micro Robots and seat assignments online Teleoperators Workshop, Hyannis, MA, (with K. J. Gabriel), November 9 to on musical performance, 11, 1987. This was the first workshop of the international MEMS series. Co-principal investigator and co-chairman of the NSF workshop on Micro Mechanical Systems Research, organized three NSF workshops to help define the micro mechanical field, held at Salt Lake City, Hyannis, and Princeton, (with J. F. Jarvis and K. J. Gabriel), 1987 to 1988. Co-chairman of the Micro Actuators session of the 4th International Conference on Solid-State Sensors and Actuators, Tokyo, Japan, (with H. Adachi), June 2 to 5, 1987. Co-chairman of the ASME Winter Annual Meeting session on Micro Mechanical Structures, (with K. J. Gabriel), Boston, December 16, 1987. Co-chairman of the ASME Winter Annual Meeting session Symposium on Microstructures, (with S. Jacobsen), Chicago, November 28, 1988. Co-chairman of a session on micromechanics at the 1989 IEEE International Conference on Robotics and Automation, (with S. Jacobsen), Scottsdale, Arizona, May 14 to 19, 1989. Organizer and Co-chairman of texting driving, two panel sessions on micro actuators and structures at the ASME Winter Annual Meeting, (with R. Horowitz), San Francisco, December 10 to 15, 1989. Co-Organizer of the Symposium on Micro-Mechanical Systems at the ASME Winter Annual Meeting, (with D. Cho and A. Pisano), Dallas Texas, November 25 to December 1, 1990.

Chairman of the performance, Micromechanical Systems session at the ASME Winter Annual Meeting, Dallas Texas, November 25 to December 1, 1990. Co-Organizer of the Micromechanics Symposium at the ASME Winter Annual Meeting, (with A. Pisano), New Orleans, November 28 to December 3, 1993. Co-Chairman of the MEMS, Micromechanics and Microengineering Workshop, (with William Carr), March 22, 1994, Newark, New Jersey. Co-Organizer of the Engineering Foundation MEMS Conference on manufacturing and commercialization, (with R. Warrington J. Jara-Almonte), September 11 to 16, 1994. Chairman of the Fabrication and Systems session DSC-9B at patriot's pen essay winners, the American Society of Mechanical Engineers' Winter Annual Meeting, Chicago, November 10, 1994. Chairman of the Microinstruments session of the International Conference on Integrated Micro-Nanotechnology for Space Applications, sponsored by NASA the Aerospace Corporation AIAA, October 30 to November 3, 1995, Huston, Texas. Steering Committee, Seventh International Symposium on Micro Machine and Human Science, Nagoya, Japan, October 2 to 4, 1996. Organized the MEMS Journal Club for Pennsylvania, New Jersey, New York, and Connecticut, 1997 to Present.

Guest Editor of Special Edition of Micromachine Devices Magazine entitled Special CAD Focus, Volume 3, Number 6, June 1998. Organized the joint IEEE / ASME journal, Journal of Micro Mechanical Systems, Editor of the journal, 1992 to 1998. Member of the IEEE Electron Devices Society Publication Committee, 1994. Co-editor of the ASME WAM-93 proceedings on Microelectromechanical Systems, (with A. Pisano), November 28 to December 3, 1993. Editor of the Micromechanics section of performance, Sensors and Actuators, Elsevier Sequoia S.A., Lausanne, Switzerland,1989 to 1990. Co-Editor of Microstructures, Sensors, and Actuators, published by the American Society of Mechanical Engineers, (with D. Cho, R. Warrington, C. Blechinger, A. Pisano, L. Driving Outline! Trefethan), November 1990. Editor of two special editions of Sensors and Actuators on essay on musical performance Micro Mechanics, Volume 20, Nos. 1 and seat assignments online 2, November 15, 1989. Co-editor of Small Machines, Large Opportunities: A Report on the Emerging Field of Microdynamics, final report of the NSF Workshop on Microelectromechanical Systems Research, (with J. Jarvis and K. Gabriel), 1988. Co-editor of the IEEE Micro Robots and Teleoperators Proceedings, (with K. J. Gabriel), November 1987.

Member, National Science Foundation's Forum on Emerging Engineering Technology, made presentation on micro mechanical field to the forum, micro mechanics was one of two emerging technologies chosen for special NSF funding, October 29 to 30, 1987. Organized and ran a workshop for DARPA on Needs and Opportunities to Support Developing Micro-Electro-Mechanical Systems (MEMS) Technology in conjunction with the University of Southern California - Information Sciences Institute, July 1992 to March 1993. Presentation at the White House to William Raub on Micromechanics and Infrastructure Needs, December 18, 1991. Member of the essay, IEEE Electron Devices Society's Distinguished Lecturer Program, July, 1994 to present. International Member of the Korean MEMS Research Planning Board, Professor Young-Ho Cho Program Leader. Introductory Banquet Toast at the IEEE Tenth Annual International Workshop on Micro Electro Mechanical Systems, January 26 to 30, 1997, Nagoya, Japan.

Member of the patriot's pen essay winners, IEEE Micro Electro Mechanical Systems Workshop Steering Committee, 1997. Member of the IEEE International Symposium on Micro Machine and Human Science, 1997. Organized and chair the MEMS Journal Club, Bimonthly meetings in the New Jersey, New York, Pennsylvania, and Connecticut area. Nominated Kurt Petersen for essay on musical, the IEEE 2001 Simon Ramo Medal. Invited Lectures and Seminars. Invited talk, History of MEMS, New Jersey Nano Consortium, Bell Laboratories, Murray Hill, NJ, February 25, 2003. Invited talk, To Measure the Minute, presentation on the need for metrology in micro mechanics to texting while outline, the National Conference of Standards Laboratories, NCSL, Washington, DC, August 1, 2001. Invited talk, A Birds Eye View of MEMS, TEX MEMS III, Keynote presentation, Dallas, Texas, June 7, 2001. Invited talk, A Smaller Hammer, Conference on High Speed Computing, LANL/LLNL/SNL, Salishan Lodge, Gleneden Beach, Oregon, April 23-26, 2001.

Invited talk, Path to MEMS Commercialization, Microsystem Symposium, The Michigan League, University of performance, Michigan, Ann Arbor, Michigan, February 16, 2001. Invited talk, Micromachines and the Future -- Your Future, The noontime presentation to delta assignments online, students and faculty at the Stony Brook Engineering Technology Fair '99, The State University of New York at Stony Brook, October 6, 1999. Invited talk, IEEE Distinguished Lecturer presentation The Other Side of Computing, given to the third 1999 quarterly meeting of the Baltimore Chapter of the IEEE Electron Devices and Solid-State Circuits Society at the Historical Electronics Museum, Baltimore, Maryland, October 4, 1999. Invited talk, The Challenge of the Infinitesimal, at the Princeton University POEM MEMS/nanotechnology Initiative, Princeton, NJ, September 9, 1999. Invited talk, Primer on MEMS technology and its applications, at the Sensor CAT Workshop on MEMS Technology and Applications, Stony Brook, NY, Septerber 10, 1999.

Invited talk, From Retrospective to the Future, at the Micromachines and Sensors Workshop, Southwest Research Institute, San Antonio, Texas, October 16, 1998. Invited talk, The Other Side of Computing, at the Conference on High Speed Computing, Salishan Lodge, Gleneden Beach, Oregon, April 20 to 23, 1998. Invited Plenary Talk, Is Our Future Small? at the Micromachining and Microfabrication Symposium of the SPIE, Austin Texas, September 29 to 30, 1997. Invited talk, Grand in essay Purpose, Insignificant in patriot's pen essay winners 2009 Size, at the IEEE Tenth Annual International Workshop on on musical performance Micro Electro Mechanical Systems, January 26 to seat online, 30, 1997, Nagoya, Japan. Invited talk, Small Spaces for Outer Space, at the International Conference on Integrated Micro/Nanotechnology for Space Applications, October 30 to essay performance, November 3, 1995, Huston, Texas. Invited talk, The Cents of Micromechanics: Commercial Considerations for grapes, MEMS Devices, at the SPIE conference on Microelectronic Manufacturing, Austin, Texas, October 23 to 24, 1995. Invited talk, The Science, Engineering, and Application of Small Mechanical Devices, at the 1995 American Society of Mechanical Engineers' Congress on Emerging Technologies, held concurrently with the Winter Annual Meeting, in San Francisco, California, November 16, 1995. Invited talk, The Trends, Techniques, and Applications of MEMS, at essay performance, the International ISEM-Seoul Symposium on Advanced Computational and Design Techniques in grapes of wrath Applied Electromagnetic Systems, June 22 to 24, 1994, Seoul, Korea. Keynote talk the MEMS, Micromechanics and Microengineering Workshop, March 22, 1994, Newark New Jersey. Presentation at the NEXUS (Network of Excellence in Multifunctional Microsystems) panel discussion on International Standards during the 1994 Microelectromechanical Systems Workshop, January 28, 1994. Invited talk on An Infrastructure for Micromechanics at the Prospector V Microelectromechanical Systems Workshop, Park City, Utah, March 22 to performance, 25, 1993.

Invited talk on Micromechanical Actuators at the Jet Propulsion Laboratory Microtech Workshop, Pasadena, March 27 to 28, 1992. Invited talk on Forces and their Micromechanical Applications at essay, the International Symposium on the Application of Electromagnetic Forces in Sendai, Japan, January 28 to 30, 1991. Invited talk at the IEEE One Day Forum on Control in MEMS - Bridge between MEMS and Control, Nagoya, Japan, January 29, 1991. Invited speaker at the Workshop on Microelectromechanical Systems, sponsored by the National Science Foundation, June 25 to 26, 1990, Fairfax, Virginia. Invited talk at the 1990 Annual Meeting of the American Society for essay on musical performance, Precision Engineering, Rochester, New York, September 23 to 28, 1990. Invited presentation at the DARPA Workshop on Defense Applications of Micro-Sensors and Actuators, Sonoma, California, July 24 and 25, 1990. Invited to be keynote speaker at The Third Toyota Conference on Integrated Micro Motion Systems - Micromachining, Control and Applications at Aichi-ken, Japan, sponsored by the Toyota Motor Corporation, October 22 to 24, 1989. Invited talks at the St. Louis Science Center, and at the Monsanto Company, March 16, 1989.

Invited lecture on paper and social networks the North Carolina Public Television for the Micro Electronics Center of North Carolina, taped on 27 October 1988, aired on essay 15 November 1988. Invited talk on Micromechanical Structures for for a college, Micro Robots for on musical, the Symposium on Technology for Microminiature Actuators and Sensing Systems, at Case Western Reserve University, Cleveland, Ohio, sponsored by the Edison Sensor Technology Center, Resource for seat assignments online, Biomedical Sensor Technology, Case Center for Electrochemical Sciences, Japanese Electrochemical Society, The Electrochemical Society, October 4 to essay, 6, 1988. Invited talk on Micro Robots at seat assignments online, the Space Operations Automation and essay on musical Robotics Workshop, Wright State University, Dayton, Ohio, sponsored by the United States Air Force and the National Aeronautics and Space Administration, July 20 to 23, 1988. Invited talk on Micro Mechanical Systems at the Workshop on Micro Spacecraft for Space Science, Jet Propulsion Laboratory, Pasadena, California, sponsored by the National Aeronautics and Space Administration, and the Strategic Defense Initiative Organization, July 6 and 7, 1988. Rutgers University Cook College Team Award for Research, awarded for excellence in making collaborative research, topic Gene Injection, unanimously chosen by the committee out of essay performance, 12 applying groups, (with Peter Ling, Chee-kok Chin, Randy Gaugler, Sawar Hushmi, Portia Orton), April 27, 1995. Conference Proceedings Edited.

1987 IEEE Micro Robots and Teleoperators Workshop, (this is the first workshop in grapes of wrath themes the international MEMS series), Hyannis, Massachusetts, November 9 to 11, 1987. 1993 ASME WAM Proceedings on essay on musical MEMS, (with A. Pisano), November, 1993. Micromechanics and MEMS; Classic and Seminal Papers to 1990, Edited by William Trimmer, IEEE (Institute of mobile computing and social, Electrical and Electronics Engineers, Inc.) Press, 345 47th Street, New York NY 10017-2394, 1997, ISBN 0-7803-1085-3, IEEE Order Number PC4390. Chapters of Books. William Trimmer, Scaling of Micromechanical Devices, a chapter in on musical the book The MEMS Handbook, Mohamed Gad-el-Hak editor, published by the CRC Press 2002. W. Trimmer, Micromechanical Systems, a chapter in the book Integrated Micro-Motion Systems: Micromachining, Control, and Applications, F Harashima editor, published by Elsevier, Amsterdam, 1990.

Report on Infrastructure Needs and term mobile computing networks Opportunities to essay on musical performance, Support Developing Micro-Electro-Mechanical Systems Technology for the Advanced Research Projects Agency under Army Contract Number MDA 903-92-D-002, presents the results of three workshops on infrastructure needs in MEMS, organized and written in collaboration with the Information Sciences institute of the University of Southern California, December 7, 1993. Review of Marc Madous book Fundamentals of Microfabrication in the September 1998 issue of Micromachine Devices, Volume 3 Number 9. Review of Gregory T. A. Kovacs's book Micromachined Transducers Source Book for Micromachine Devices. Review of the Proceedings of the IEEE Special Issue Integrated Sensors, Microactuators Microsystems (MEMS) for Micromachine Devices. Review of the Biomedical Microdevices Journal for an outline for a essay, Micromachine Devices. William Trimmer, Guest Editorial in Micromachine Devices Computer Aided Design for on musical performance, MEMS/MST, Volume 3, Number 6, June 1998.

Ali Beskok, George Em Karniadakis, and William Trimmer, Rarefaction and Compressibility Effects in Gas Microflows Journal of Fluids Engineerings, Volume 118, Number 3, September 1996. Sawar Hashimi, Peter Ling, Ghazala Hashimi, Michael Reed, Randy Gaugler, William Trimmer, Genetic Transformation of of wrath themes, Nematodes Using Arrays of Micromechanical Piercing Structures Biotechniques, Vol 19, No 5, November 1995. W. On Musical Performance! Trimmer, and R. Jebens, Harmonic Electrostatic Motors, Sensors and Actuators, Volume 20, Nos. 1 and texting while driving 2, pp 17 to 25, November 1989. R. Jebens, W. Trimmer, and J. Walker, Microactuators for Aligning Optical Fibers, Sensors and Actuators, Volume 20, Nos. Performance! 1 and pen essay 2009 2, pp 65 to 74, November 1989. K. J. Gabriel, W. Essay On Musical! S. N. Trimmer, and winners 2009 J. A. Walker, A Micro Rotary Actuator Using Shape Memory Alloys, Sensors and Actuators, Volume 15, No.

1, pp. 95 to 102, September 1988. W. S. N. Trimmer, Micro Robots and Micro Mechanical Systems, Sensors and performance Actuators, Volume 19, No. 3, pp. 267 to driving essay, 287, 1988. M. Mehregany, K. J. Performance! Gabriel, and W. S. Seat Assignments Online! N. Trimmer, Integrated Fabrication of Polysilicon Mechanisms, IEEE Transactions on Electron Devices, Vol. 35, No. 6, pp. 719 to on musical, 723, June 1988. W. S. Texting While Driving Outline! N. Trimmer, K. J. Gabriel, J. A. Walker, and R. Mahadevan, Micro Mechanical Systems, Nikkei Electronics (In Japanese), pp. 209 to on musical, 221, December 1987.

M. Mehregany, K. J. Gabriel, W. S. N. Trimmer, Micro Gears and Turbines Etched from seat assignments online, Silicon, Sensors and Actuators, Vol. 12, pp. 341 to 348, Nov/Dec. 1987. W. S. N. Trimmer, and K. Essay On Musical Performance! J. Gabriel, Design Considerations for a Practical Electrostatic Micro Motor, Sensors and Actuators, Vol. 11, pp. 189 to 206, 1987. A. K. Chin, B. V. Dutt, W. S. N. Trimmer, J. R. Zuber, T. A Level Pe Aqa Coursework! Boone, and on musical performance K. D. Trapp, Evaluation of Misfit Dislocations in Planar, Zinc-Diffused In Ga As PIN Photodiodes, Materials Letters, Vol. 1, No. 5,6, pp.

152 to term mobile and social, 156, 1983. William Stuart Newberry Trimmer, and David Vilkomerson, A New Wire Phantom for Accurate Measurement of Acoustical Resolution, Ultrasonic Imaging, Vol. 5, pp. 87 to 93, 1983. W. S. N. Trimmer, Soldering Techniques, Byte, Vol. 84, September 1979. W. S. N. Trimmer, Primer of essay on musical performance, Digital CMOS Electronics, Am. J. Physics, Vol. 45, p. 746, 1977.

W. S. Pen Essay! N. Trimmer, R. Essay On Musical! Baierlein, J. Faller, and H. Hill, Experimental Search for Anisotropy in the Speed of Light, Phys. Rev. D, Vol. 8, p. 3321, 1973. W. S. N. Trimmer, and R. Baierlein, Anisotropic Modification of Maxwell's Equations, Phys. Rev. D, Vol. 8, pp.

3326, 1973. William Trimmer, The Other Side of Computing, at the Conference on High Speed Computing, Salishan Lodge, Gleneden Beach, Oregon, April 20 to 23, 1998. W. Trimmer, Large Prospects for Small Systems using Micromechanics and MEMS, at patriot's pen essay 2009, the GOMAC Conference, Government Microcircuit Applications Conference, March 16 to essay, 19, 1998, Arlington, VA. W. Trimmer, Grand in delta Purpose, Insignificant in Size, at the IEEE Tenth Annual International Workshop on Micro Electro Mechanical Systems, January 26 to 30, 1997, Nagoya, Japan. W. Trimmer Small Spaces for Outer Space, in the proceedings of the International Conference on Integrated Micro/Nanotechnology for Space Applications, October 30 to November 3, 1995, Huston, Texas. Poster presentation at the MST 95 Exhibition on Microsystem Technologies on developments in micromechanics, Science Museum, Tokyo, Japan, October 31 to November 2, 1995. A. On Musical Performance! Beskok, W. Trimmer, and G. E. Making An Outline For A College Essay! Karniadakis, Rarefaction, Compressibility and Thermal Creep Effects in Micro-flows, in the American Society of Mechanical Engineers Winter Annual Meeting, November 1995. William Trimmer, The Cents of Micromechanics: Commercial Considerations for MEMS Devices, at the SPIE conference on Microelectronic Manufacturing, Austin, Texas, October 23 to 24, 1995. William Trimmer, Peter Ling, Chee-Kok Chin, Portia Orton, Randy Gaugler, Sarwar Hashmi, Ghazal Hashmi, Bruce Brunett, Michael Reed, Injection of DNA into Plant and Animal Tissues with Micromechanical Piercing Structures, in the Proceedings of the IEEE Micro Electro Mechanical Systems Workshop in Amsterdam, the Netherlands, January 29 to February 2, 1995, pages 111 to 115, IEEE Catalog 95CH35754, ISBN 0-7803-2503-6. L. Zhang, Dan Cho, H. Shiraishi, and W. Trimmer, Squeeze Film Damping in Microelectromechanical Systems, in the ASME Winter Annual Meeting Proceedings Micromechanical Systems, DSC-Vol 40, November 1992. W. Trimmer, and R. Essay! Jebens, Actuators for Micro Robots, Proceedings of the 1989 IEEE International Conference on Robotics and Automation, Scottsdale, Arizona, May 14 to 19, 1989.

R. Patriot's Pen Essay Winners 2009! Jebens, and essay on musical performance W. Trimmer, An Operational Harmonic Electrostatic Motor, Proceedings of the IEEE Workshop on Micro Electro Mechanical Systems, pp. 13 to 16, Salt Lake, Utah, February 1989. R. Jebens, W. Trimmer, and J. Walker, Micro Actuators for Aligning Optical Fibers, Proceedings of the IEEE Workshop on Micro Electro Mechanical Systems, pp. 35 to 39, Salt Lake, Utah, February 1989. W. S. N. Trimmer, and K. J. Gabriel, The Micro Mechanical Domain, Proc. ASME Winter Ann. An Outline For A College Essay! Meeting, Boston, MA, DSC Vol. 6, p. 393 to essay, 396, Dec. Making Essay! 1987.

K. J. Gabriel, M. Performance! Mehregany, and W. S. N. Patriot's Pen Essay 2009! Trimmer, Micro Mechanical Components, Proceedings of the ASME Winter Annual Meeting, Boston, MA, DSC Vol. 6, pp. 397 to 401, Dec. 1987. W. S. N. Trimmer, and K. Essay Performance! J. Gabriel, Silicon Electrostatic Motors, Proceedings of the a level, 4th International Conference on Solid-state Sensors and Actuators, Tokyo, Japan, June 1987. K. J. On Musical! Gabriel, and W. S. A Level Pe Aqa Coursework! N. Trimmer, Micro Gears and Turbines Etched from Silicon, Proceedings of the 4th International Conference on Solid-state Sensors and Actuators, Tokyo, Japan, June 1987. W. S. On Musical! N. Trimmer, and K. A Level Pe Aqa! J. On Musical Performance! Gabriel, A Microstructured Electrostatic Actuator, Proceedings of the 170th Meeting of The Electrochemical Society, San Diego, California, October, 1986. A. Texting While Driving Essay Outline! M. Feury, T. L. Poteat, and W. S. Essay! N. Trimmer, A Micromachined Manipulator for paper mobile networks, Submicron Positioning of Optical Fibers, Proceedings of the IEEE Solid State Sensor Workshop, Hilton Head Island, SC, June 1986. G. Beni, S. Hackwood, and essay W. S. Essay! N. Trimmer, High-Precision Robot System for Inspection and Testing of Electronic Devices, Proceedings of the International Conference on Robotics, Atlanta, Georgia, March 1984. William Stuart Trimmer, Micro Pump, U.S. On Musical! Patent 6,520,477.

William Stuart Trimmer, Robert B. Grapes Of Wrath Essay! Marcus, Knife Blades Having Ultra-Sharp Cutting Edges and essay on musical Methods of paper mobile networks, Fabrication, U.S. Patent 5842387. William S. Trimmer, Donald P. Weiss, Donald J. Summers, Stephen A. Raccio, Carrier Structure for Transducers , U.S. Patent 5,821,595. William S. Trimmer and Michael Treat, Self-Propelled Endoscope using Pressure Driven Linear Actuators, U.S. Patent 5,595,565. W. S. N. Trimmer, K. J. Gabriel and R. Prud'Homme, Electrostatic Micro Motors, U. S. Patent 4,754,185. K. J. Gabriel, W. S. N. Trimmer, and J. A. Walker, Shape Memory Alloy Actuator, U. S. Patent 4,700,541. W. On Musical! S. Term Mobile Computing Networks! N. Trimmer and T. L. Poteat, A Self Aligning Package for on musical performance, Lightwave Components, U. Patriot's 2009! S. Patent 4,688,885. W. S. N. Trimmer, Bayard Gardineer, Jr, and Andreas Hadjucostis, Passive Ultrasound Needle Probe Locator, U. Essay On Musical Performance! S. Pen Essay Winners! Patent 4,431,006. W. S. N. Trimmer and D. H. R. Vilkomerson, Pulse-Echo Ultrasound System Utilizing Conjugate Emitting and Receiving Apertures, U. S. Patent 4,430,898.

C. Wayne Robbins and W. S. N. Trimmer, Passive Ultrasound Needle Probe Locator, U. S. Patent 4,428,379. W. S. N. Trimmer and D. H. R. Vilkomerson, Resolution Measuring Device for Acoustical Imaging Systems and Method of Use, U. S. Patent 4,417,582. W. S. N. Trimmer and Mark R. Laser, Force Sensor, U. S. Patent 4,286,459. W. S. N. Performance! Trimmer, Display System Utilizing Incandescent Lamp Multiplexing, U. S. Patent 4,283,659.

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36+ Best About Me Page Examples for essay on musical performance, Websites and Blogs. About Me Page is an essential part of every business website and Portfolio. A good about me page not only grab a reader’s attention but also provide them with required information about you. Presenting your personality in your design is very imperative and there is no better way to do it than on the About Me Page. Any web Site Design Company can do it for you.

Here we are sharing some of best About Me Examples and Tips about writing inspiring About me pages. These attractive about an outline for a college, me examples will give you ideas for essay performance, your blog page design. To view any of the about me page in action, just click the relevant image. See Also: You may Like These Post. Tips to write an inspiring “About Me Page#8221; Before creating an About Me, you should know exactly what is the delta seat, purpose for this page and where are you writing it. Following are a few tips to on musical performance help you make your About Me page more impressive and attractive. Remember people want to know who you are, so be original, honest and open about yourself. Readers love it when you reveal the negativity in your personality along with positivity. You can also tell some inspiring story from your life experiences.

A story may possess more power to hold a reader’s attention than general information. Don’t create very long About Me pages. The readers avoid the pages that hold long and detailed content. So the moment it starts to for a college get boring and uninteresting, write the ending lines. Essay On Musical. An inspiring About Me page should not only look good but also it should serve the purpose of its creation.

Be considerate about college essay, colors and styles you use. Quick leaps from bold colors to soft ones or different styles can leave a poor impression on on musical performance, reader. Put some impressive academic or experimental stuff. To create an inspiring About Me page, you need to show your genius side to the readers. Make sure that you use clear words in your sentences. Texting While. If your page holds any confusion or ambiguity, the readers might prefer leaving it. On Musical. Use your favorite quote or saying and tell the readers how it inspired you.

It is a great way to communicate and make a connection with readers. Save a little space for “About You”. Tell the readers what you expect and what you wish to do with their help. A Level. Make sure that the theme, color combination and design of your page is essay on musical performance getting along with your written information. This artistic page from Janis is very eye-catching and attractive. The artist’s life, thoughts and aesthetic style is displayed with the help of soothing colors.

Large picture makes the page more captivating. View. For A. The about me page for essay, Egopop includes a large picture of designer with his biography and history in a simple way.View. Mark’s about me page is skillfully done with the superimposition of face on Mount Rushmore. This features adds a certain kind of exclusivity in page.View. Toby Powell’s page is another example of simple yet stirring about me page. It induces the readers to explore more about the owner.View. This page is inspired by the Victorian era theme with old world style in an attractive way.

The old style makes it impressive for readers.View. Term Mobile Computing Networks. This designer from Sweden made his About Me page inspiring and unique by taking an overhead shot of himself unlike the usual pictures. With bold typography, page’s visual interest has been enhanced.View. This page is intriguing and captivating with a beautiful design. The Concept behind floating Asian kid displays the owner’s thought in an inspiring way.View. This about me page includes wonderful combination of rightly chosen colors and clear typography. The page is both modest and fascinating.View. This page from James A. Reeves is neat and simple example of inspiring About Me page. It allows the large scale photography in the background of page.View. This is another example of a simple and to-the-point About Me page. The addition of a large self-portrait makes the page more in-connection with readers.View.

Alex Dawson presents his About Me page in a very simple and functional way. The page is essay created in a way that readers find it easy to browse through the desired info.View. Term Mobile Computing Networks. Adam Dannaway’s page is a simple and to-the-point illustration of essay on musical his ideas and paper mobile skills. The simplicity in an attractive way makes it more inspiring.View. The guys over at Superfluent design came up with an about page that really spoke to their personalities.

You get to know little quirks about them as well as hire them for projects! View. Yellow Leaf Hammocks is a company trying to save the world via hammocks. The brand plans to accomplish this by selling hand-woven hammocks from artisans in Thailand. The idea alone should be enough to make this a brand worthy of your attention (and money) but the story of how founder Joe Demin discovered these hammocks and essay on musical the statistics regarding poverty found on the About page are equally compelling. Both humanize the brand, company, and product which should motivate you into purchasing a hammock. View.

Don’t be fooled by the lack of bells and whistles on pe aqa coursework, Twitter’s About page. It’s there for one purpose. To get you to sign up for the social network. If you browse through the page you’ll notice interlinking everywhere. These links take will eventually take you back to the Home page, which is where Twitter wants you to land since that is where visitors sign-up. It’s a very effective tactic. View. Team of professional strategists, developers, and marketers we excel at applying the right plan and technology to essay on musical performance achieve our client’s objectives. Seat Assignments. View. Creative digital agency with 10 years experience in web developing. Specialised for e-commerce websites based on Magento platform.

View. Tumblr has a near perfect About Page. It’s clean, easy to digest, and essay provides all of the important information front and center, such as how many blogs or the paper computing and social networks, number of employees. On Musical Performance. If you keep scrolling, however, you’ll also be treated to the latest blog posts, which are usually based off trending topics. It’s fun and informational! View. Not many companies do as good of a level coursework a job at creating a successful about page as Tobi. Tobi uses their about page to convey the basics of their company, and help you understand the basics of their company. Essay On Musical Performance. View.

The tag line of 2009 Sarasadik#8217;s blog is #8220;Finding The Magic In MommyHood#8221; will explain almost everything about her site. Sara has had about a dozen jobs: media expert, journalist, human rights activist, cat watcher, editor, and even life coach for about 3 minutes, View. Time2project is being led by essay on musical performance, Giuseppe Scappaticcio, who is an pe aqa coursework, italian Web Strategist based in essay performance Tuscany, Italy. Of Wrath. He has been working for over 10 years in the internet industry, producing a moltitude of professional, innovative, and essay performance creative projects for his clients, including corporate branding, website design and web promotions. View. What makes Pointless Corp#8217;s company about page so useful and fabulous is that it not only delta seat assignments, looks extremely cool and creative, but it points to essay performance all of the things they#8217;ve created, when they created them, and the purpose of each of essay their projects. View. Moz decided to provide visitors with a timeline to tell their story. But, the site didn’t go overboard with details. Instead, the SEO consulting firm only shares highlights with circular images on essay on musical performance, a track, which you can easily scroll through.

With this method, Moz can showcases their awards and accomplishments without coming across as show-offs. View. LessFilms is a video production company that decided to show off their wit and winners sense of humor by basing their entire site on wrestling. Yes. Professional wrestling. Somehow, the duo make it work. Essay. The result is an original and driving essay unique page that gives LessFilms a lot of essay on musical performance personality. Personality that would make us feel completely comfortable hiring the company for film production needs.

View. Bright Bright Great is a branding and seat assignments online design agency who has chosen to showcase their team members creatively in a series of mugshots. View. If you make your living doing freelance work, then you know how important it is to not only sell people on your talent, skills, and resume, but also on who you are. In that area, Andrew Reifman succeeds. The graphic designer includes all of the essay performance, important information required on 2009, an About Page, but presents it in essay performance a comical and almost video-game themed way. It definitely gives you an idea of an outline who Andrew Reifman truly is and what his personality is essay performance like. Seat Online. View.

829 Studios is a Boston-based integrated agency with a passion for performance marketing. View. Crane Brothers does an excellent job of keeping their about essay, page short and to the point with a minimal amount of information, but just enough to help you get the information you need and find out seat assignments online how to contact them. View. On Musical Performance. hope you liked above mentioned creative About me Examples , Do Share your views in grapes themes essay Comment. . . Cheers :) Hi. I'm Mursaleen Siddique, The guy behind UltraUpdates.com . Essay On Musical. I'd rather call myself a struggling Blogger. I love Blogging with WordPress, Covering Islamic General Topics Graphic Web Design Inspiration and WordPress Themes, I'm available on Facebook Twitter Pinterest. This is exactly what I am looking for about making about grapes, page. I am currently on the updates about my about page. Thanks for the idea. Thank you for commenting :) if you#8217;re planning to create a inspiring about me page.. Essay Performance. kindly do share you page with us so that we could publish at our site .. Thank you once again. thank you very informative post :) w#8217;ll definitely help to make my about me page.

Thank you for commenting .. yap make one and share link with us :) thank you :) Nice collection. here only i learn how to design about me page to attract all the visitors . reAlly great. i will add it on my website now to create wonderful about delta seat assignments online, me page. Thank you for commenting and appreciating this post. :) thank you for this informative post.currently working on about me page. Unique collection of #8220;About Me#8221; pages :) It#8217;s really useful to build one. By continuing to use the site, you agree to the use of cookies. more information Accept. The cookie settings on on musical, this website are set to allow cookies to give you the winners, best browsing experience possible. If you continue to use this website without changing your cookie settings or you click Accept below then you are consenting to this.

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Dec 19, 2017 Essay on musical performance,

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Center for Communication Practices. The preliminary application for a professional position generally consists of two documents: a cover letter and a resume. This handout describes the essay performance cover letter; the a level coursework resume is essay described in a separate Writing Center handout. While the resume is while driving outline a somewhat generic advertisement for yourself, the cover letter allows you to tailor your application to each specific job. Although the on musical performance thrust of grapes themes your various letters may remain the on musical same, with the while outline assorted text-processing options available at essay on musical performance RPI—options that include find-and-replace and merging capabilities—there is a level pe aqa coursework really no reason to have a single, generic cover letter. Effective cover letters are constructed with close attention to. Your cover letter and resume usually provide all the information which a prospective employer will use to decide whether or not you will reach the essay on musical performance next phase in the application process: the interview. While your goal is an driving outline interview and, ultimately, a job offer, the more immediate purpose of your cover letter in essay on musical performance, some cases may simply be to gain an attentive audience for texting essay outline, your resume. A cover letter provides, in a very real sense, an opportunity to let your prospective employer hear your voice. It reflects your personality, your attention to detail, your communication skills, your enthusiasm, your intellect, and your specific interest in the company to which you are sending the letter.

Therefore, cover letters should be tailored to each specific company you are applying to. You should conduct enough research to know the interests, needs, values, and goals of each company, and your letters should reflect that knowledge. A cover letter should be addressed to the specific company and the specific individual who will process your application. Essay On Musical Performance? You can usually find this through research or simply by calling the company to find out who you should address your letter to. The letter should name the position for which you are applying and also make specific references to an outline, the company.

Indicate your knowledge of and interest in the work the company is currently doing, and your qualification for performance, the position. You want the pen essay reader to know: Why do you want to essay performance, work at grapes of wrath essay that specific company? Why do you fit with that company? How do you qualify for performance, the position to which you applying?

In addition to tailoring your application to a specific job with a specific company, the cover letter should also. highlight the most important and relevant accomplishments, skills, and experience listed in your resume point to the resume in a level, some way (as detailed in essay on musical performance, the enclosed resume”) request specific follow up, such as an an outline for a college interview. A cover letter should be in paragraph form (save bulleted lists for performance, your resume) with a conversational, though formal, tone. The first paragraph should be brief, perhaps two or three sentences, stating. what job you are applying for and how you learned about it any personal contacts you have in or with the company your general qualifications for of wrath themes, the job. The body of performance your letter should consist of one to three longer paragraphs in which you expand upon assignments your qualifications for the position. Pick out the most relevant qualifications listed in essay, your resume and making college essay, discuss them in essay on musical performance, detail, demonstrating how your background and experience qualify you for the job. Be as specific as possible, and refer the for a essay reader to your resume for additional details. The concluding paragraph of your letter should request an on musical interview (or some other response, as appropriate).

State where and texting driving, when you can be reached, and express your willingness to come to an interview or supply further information. Close by thanking your reader for his or her time and consideration. 34 Second Street. Troy, New York 12180. Ms. Gail Roberts. Department DRR 1201.

Princeton, New Jersey 05876. Dear Ms. On Musical Performance? Roberts: Your advertisement for software engineers in coursework, the January issue of the IEEE Spectrum caught my attention. I was drawn to the ad by my strong interest in both software design and Database. I have worked with a CALMA system in developing VLSI circuits, and I also have substantial experience in the design of interactive CAD software. Because of essay performance this experience, I can make a direct and immediate contribution to your department. I have enclosed a copy of my resume, which details my qualifications and suggests how I might be of service to Database.

I would like very much to meet with you to discuss your open positions for software engineers. If you wish to arrange an driving essay interview, please contact me at the above address or by telephone at essay performance (518) 271-9999. Thank you for your time and consideration. 1234 15th Street. Troy, New York 12180.

January 30, 2002. Mr. Grapes Of Wrath? John M. Curtis. 55 Washington Avenue. New York, New York 10081. As an experienced computer programmer who is presently pursuing a master’s degree in essay, electrical engineering at Rensselaer Polytechnic Institute, I am writing to request information about outline, possible summer employment opportunities with HAL. I am interested in a position that will allow me to performance, combine the talents I have developed in both computer programming and electrical engineering. However, as you can see from the attached resume, I have extensive experience in grapes of wrath essay, many related fields, and performance, I always enjoy new challenges. I feel that it is important for me to maintain a practical, real-world perspective while developing my academic abilities. I am proud of the fact that I have financed my entire education through scholarships and summer jobs related to my field of an outline for a college essay study. This work experience has enhanced my appreciation for on musical performance, the education I am pursuing.

I find that I learn as much from winners 2009 my summer jobs as I do from essay on musical performance my academic studies. For example, during the summer of 1986, while working for IBM in Boca Raton, Florida, I gained a great deal of practical experience in the field of electronic circuit logic and driver design. Delta Seat Assignments Online? When I returned to school in the fall and took Computer Hardware Design, I found that my experience with IBM had thoroughly prepared me for the subject. Having said all this, I realize that your first consideration in essay, hiring an applicant must not be the potential educational experience HAL can provide, but the skills and patriot's 2009, services the applicant has to offer. Essay On Musical Performance? I hope the experience and education described in my resume suggest how I might be of service to HAL. I welcome the opportunity to discuss with you how I might best assist HAL in assignments, fulfilling its present corporate needs. Performance? I will be available for employment from May 14 through August 31, 2002. Grapes Of Wrath Themes Essay? Please let me know what summer employment opportunities are available at HAL for someone with my education, experience, and interests.

You can reach me at the above address or by phone at (518) 271-0000. Thank you for your consideration. Developed by The Center for Communication Practices at essay performance Rensselaer Polytechnic Institute, Troy, New York. A resume is a brief summary of your abilities, education, experience, and skills. Its main task is to convince prospective employers to contact you. A resume has one purpose: to get you a job interview . Resumes must do their work quickly. Employers or personnel officers may look through hundreds of applications and may spend only a few seconds reviewing your resume. To get someone to look at college it longer, your resume must quickly convey that you are capable and competent enough to be worth interviewing. The more thoroughly you prepare your resume now, the more likely someone is to read it later.

This guide, “Preparing a Resume,” will be useful if you’re writing your first resume or want to analyze the effectiveness of your current one. The Center for Communication Practices can also help you draft your resume and on musical, cover letters, and making, can give you sample resumes and related handouts. Simply drop by; no appointment is necessary. This document, which is divided into essay on musical eight separate sections, can be read in two different ways. You can either read it all the delta seat assignments online way through, as you would a paper version, or you can click on any of the essay links listed below to jump ahead to while driving outline, a particular section. Gather and Check All Necessary Information. Write down headings such as EDUCATION, EXPERIENCE, HONORS, SKILLS, ACTIVITIES. Beneath each heading, jot down the following information: EDUCATION usually means post-secondary and can include special seminars, summer school, or night school as well as college and essay on musical performance, university. If you are just starting college, you can include high school as well.

List degrees and month/year obtained or expected; names and locations of schools; major and minor, if any; grade point average. A brief summary of important courses you’ve taken might also be helpful. EXPERIENCE includes full-time paid jobs, academic research projects, internships or co-op positions, part-time jobs, or volunteer work. Making For A College? List the on musical month/years you worked, position, name and location of employer or place, and coursework, responsibilities you had. As you describe your experiences, ask yourself questions like these: Have I invented, discovered, coordinated, organized, or directed anything professionally or for my community? Do I meet deadlines consistently?

Am I a good communicator? Do I enjoy teamwork? Even if you’re new to a field, you aren’t necessarily starting from scratch. HONORS . List any academic awards (scholarships, fellowships, honors list), professional awards or recognition, or community awards (i.e. for essay, athletic skills). SKILLS . Grapes Of Wrath? List computer languages and software, research, laboratory, teaching or tutoring, communication, leadership, or athletic, among others. ACTIVITIES . List academic, professional, or community organizations in which you hold office or are currently a member; list professional and on musical, community activities, including volunteer work. Listing extra-curricular activities or hobbies is pen essay 2009 optional. After you have all this information down, check it for accuracy. You’ll need full names, in some cases full addresses, correct and consistent dates, and correct spellings. Match Your Skills and essay on musical performance, Experience with an seat assignments online Employer’s Needs. POSITION: What kind of position do you want for this job-search?

Make notes. On Musical? Now match your wishes up with positions that are actually available. You can get this information through postings, ads, personal contacts, or your own research. Also, the Rensselaer Center for Career and Professional Development (CCPD) can help you with job-search techniques. The CCPD offers workshops, materials, personal assistance, and on-campus recruiting. It also coordinates a “Focus Program” to help freshmen, sophomores, and juniors find out about their field from Rensselaer alumni. EMPLOYER: For a certain position, what aspects of your education, experience, or skills will be most attractive to a level pe aqa coursework, that employer? List SPECIFIC coursework, areas of specialty, specific skills, or knowledge that you think would interest the on musical employer.

Highlight Details That Demonstrate Your Capabilities. Look over what you’ve written and try to select details of your education, experience, honors, skills, and activities that match an while employer’s needs in on musical performance, a few important areas. Organize the Resume Effectively. PERSONAL INFORMATION: Top center of first page . Name (no title); addresses; phone numbers; e-mail and/or fax addresses (optional); citizenship if applicable. NOTE: A potential employer has no legal right to request information about age, sex, race, religion, marital status, health, physical appearance, or personal habits. Don’t include such information on while driving essay outline your resume. EDUCATION: Often comes first in student resumes, especially if it is a strong asset. EXPERIENCE: Here, you can use one of two formats : Functional : To emphasize skills and talents, cluster your experience under headings that highlight these skills: for essay performance, ex.: leadership, research, computers, etc. This format can be helpful if you have little relevant job experience.

Chronological : To emphasize work experience, list jobs beginning with the most recent . Write all job descriptions in parallel. phrases, using ACTION verbs List the most important responsibilities. or successes first List similar tasks together Emphasize collaborative or group-related. AWARDS/HONORS: Use reverse chronological order; include titles, places, dates. ACTIVITIES: Generally, list hobbies, travel, or languages only if they relate to your job interests. In some cases, you may wish to emphasize your willingness to travel or relocate. REFERENCES: You need not put these on your resume. Instead, you can prepare a separate list of references, with complete name, title, company name, address, and for a college essay, telephone numbers for each individual. Usually, you give this list to prospective employers after your interview. CREATING YOUR DRAFT: for positions within your field.

TYPE each entry in essay performance, a format close to. the one you want to use for your resume. LENGTH: for many resumes, two pages. is the maximum length (NOTE: an academic resume or “curriculum. vita” is making an outline for a often at least five pages long). If you are considering listing your participation in a MOOC (Massive Online Open Course), you could add that experience to your resume or CV in a section for ‘Employment Related Activities’ or ‘Professional Development’. Not everything needs to be on essay on musical performance a two-page resume, but there may be reasons to list items like this if you have room for them. Mobile Computing And Social? For more, see http://www.onlinecollegecourses.com/2013/03/07/putting-a-mooc-on-the-resume/ Consider Word Choice Carefully. In a resume, you need to sound positive and confident: neither too aggressive, nor overly modest. The following words and essay performance, phrases are intended as suggestions for thinking about a level pe aqa coursework, your experience and essay, abilities.

Whatever your final word choices are, they should accurately describe you –your skills, talents, and a level, experience. Choose ACTIVE VERBS that describe your skills, abilities, and accomplishments. Examples: I can contribute, enjoy creating, have experience in organizing. . . Essay On Musical Performance? While at X Company, I administered, coordinated, directed, participated in…. Below is a list of a level such verbs: accomplish; achieve; analyze; adapt; balance; collaborate; coordinate; communicate; compile; conduct; contribute; complete; create; delegate direct; establish; expand; improve; implement; invent; increase; initiate; instruct; lead; organize; participate; perform; present; propose; reorganize; research; set up; supervise; support; train; travel; work (effectively, with others) NOTE: You can change the forms of any of these verbs to stress different aspects of your abilities and experience: organize == organized, organizing, organization. Choose ADJECTIVES and NOUNS that describe yourself positively and accurately: able to; administrative; analytical; (fluently) bilingual; broad scope; capable; communication skills; collaboration; collaborative; consistent; competent; complete; creative; dedicated; diversified; effective; experienced; efficient; extensive; exceptional; flexible; global; handle stress; imaginative; intensive; in-depth; innovative; integrated; able to listen; motivated; multilingual; multi-disciplinary; a negotiator; other cultures; reliable; responsible; a supervisor; teamwork; well- traveled; work well with…. Ask Other People to Comment on on musical Your Resume. WE STRONGLY RECOMMEND that you have an advisor, potential employer, or someone in your field critique your resume. For more help, ask: NOTE: People may offer many different opinions.

Use your own judgment and paper mobile computing, be open-minded about essay on musical, constructive criticism. Make the patriot's 2009 Final Product Presentable. Use a computer and high-quality (preferably laser) printer. If you don’t have a computer or laser printer, you should either have your resume professionally produced, or use the resources that Rensselaer has to offer: IBM/PCs, UNIX, and SUN workstations.

on campus . Depending on essay on musical performance which system you use, you have. some choice of fonts, limited layout capability (i.e. creating. borders, boxes, and columns), and a level coursework, access to laser printers. Computer labs/printers closest. to the Writing Center . Windows 98 workstations (room. Hold your resume at arm’s length and see how it looks.

Is the page too busy with different type styles, sizes, lines, or boxes? Is the information spaced well, not crowded on the page? Is there too much “white space”? Is important information quick and easy to on musical, find? Name is at the top of the patriot's pen essay 2009 page: highlighted. by slightly larger typesize, bolding, and/or underlining Address and phone number(s) are complete. and correct, with zip and area codes, and are well-placed. in relation to name All entries highlight a capability or.

accomplishment Descriptions use active verbs, and verb. tense is consistent; current job is in present tense; past. jobs are in past tense Repetition of words or phrases is kept. to a minimum Capitalization, punctuation, and date. formats are consistent There are NO typos or spelling.

Your best assets, whether education, experience, or skills, are listed first The page can be easily reviewed: categories. are clear, text is indented The dates of employment are easy to. find and consistently formatted Your name is essay on musical performance printed at the top of each. No more than two typestyles appear; typestyles are conservative Bolding, italics, and capitalization. are used consistently and in support of the information. structure Margins and line spacing keep the patriot's winners page.

from looking too crowded Printing is on one side of the sheet. only, on essay high-quality bond–white or off-white (i.e. A Level Coursework? beige. or ivory) The reproduction is good, with no blurring, stray marks, or faint letters The right side of the page is. in “ragged” format, not right-justified. Right justification. creates awkward white spaces. Now you’re done! Just one more suggestion: If you are sending your resume to a prospective employer, you’ll probably also have to include a separate cover letter. This is usually one page long. Essay On Musical Performance? The letter indicates your interest in a particular company or position, summarizes the most important aspects of your education and pe aqa coursework, experience, and lets the essay on musical performance employer know where and when you can be contacted for an interview.

The Writing Center and the Career Development Center can give you more information about effective cover letters. Developed by The Center for Communication Practices at Rensselaer Polytechnic Institute, Troy, New York. The staff at the Center for themes essay, Communication Practices is composed of graduate and undergraduate students who enjoy reading and essay on musical performance, responding to writing, oral presentations, and multimodal projects from all disciplines! All of the consultants who work at the CCP have significant experience in seat online, composing many types of texts. All undergraduate consultants have also excelled in a 4-credit course, Writing and Response , that has prepared them to read and respond to a wide range of texts. Each consultant may have unique experience with specific types of communication.

Look below to read our consultant profiles before scheduling an appointment: you may find someone especially well-suited to your needs! Director—Dr. Barbara Lewis: Barbara is the director of the CCP and enjoys the challenge of reading technical texts from essay all different fields. She also loves reading and talking about papers written for Humanities courses, and term mobile computing, has quite a bit of experience reading resumes, cover letters, and graduate school application essays. Essay? When she’s not working in an outline for a college, the CCP, Barbara teaches writing courses in the Department of Communication and Media.

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Freelance Writing Tips. All contents of this site. Bob Brooke Communications. STEP RIGHT UP! TO THE WORLD. OF CIRCUS POSTERS. Identifying and Dating Circus Posters.

Different Posters for on musical Different Purposes. Circus Poster Reproductions. The Market for Circus Posters. L ADEEZ AND GENTLEMEN, CHILDREN OF ALL AGES! WELCOME TO THE GREATEST SHOW ON EARTH ., shouts the making an outline college, ringmaster of the Ringling Brothers Barnum Bailey Circus as the performers and animals march into the tent in the grand parade.

America’s love affair with the essay, circus, lasting over while driving outline 200 years, has survived the minstrel show, the medicine show, and vaudeville. Weeks ahead of the show, an essay, air of anticipation came to towns across America as advance men, wielding buckets of paste and essay long-handled brushes, pasted huge, bright circus posters over faded auction and political signs and essay placed cards in store windows within a 50-mile radius of the patriot's winners 2009, circus site. Boys and girls stood before them and gawked, as they inhaled the pungent smell of performance, fresh paste. What better way to relive the nostalgia of those bygone shows than to collect bright, and often artistic, circus posters. Circuses played on the fantasies of the common man. Coursework! Posters advertised stupendous acts with words like electrifying , d’equitation , noble , liliputian , amazon , bravest, world famous, and exotic. They promised showgoers snarling lions from darkest Africa and essay performance elephants from the exotic East, along with aerialists performing daring acts high in the air and lady equestrians in glittering tights. Grapes Of Wrath Essay! P.T.

Barnum, always the master showman, knew that the essay, circus brought joy into the humdrum, and often sad lives of winners, its patrons. And circus posters reflected that in their bright, colorful illustrations and performance myriad of type styles. Today, these same posters are highly collectible. Early Circus History. Circuses, as they’re known today, began as equestrian exhibitions, which later added tumbling, rope-dancing and a level pe aqa coursework juggling.

John Bill Rickets, a first-class trick rider from Britain, gave the first circus performance in 1793 at The Riding School in Philadelphia. After the War of on musical, 1812, circus owners replaced the permanent equestrian type shows with rolling shows that pitched their tents on essay village greens. These became the direct descendants of the essay on musical, tented circuses of today. The first to themes put on a traveling show was Hackaliah Bailey, who, in on musical performance 1815, purchased Old Bet, an African elephant, from a sea captain for $1,000. Bailey had such success in presenting Old Bet to the local townspeople and farmers, he arranged to purchase additional exotic animals from other ship captains. America grew and changed as did the circus.

In 1884, five brothers from Baraboo, Wisconsin--Al, Alf, Charles, John, and Otto Ringling–who not only had a flair for showmanship but were superb businessmen, started a circus. When they took over themes the Barnum and Bailey Circus in essay on musical 1908, they could stake a legitimate claim to the title Greatest Show on Earth. Since 1919 the Ringling Bros. and Barnum Bailey Circus, also known as The Big One, has traversed the country. The American circus has left a legacy of collectibles–sequin-bedecked acrobatic costumes, floppy clown hats, and paper items of all kinds. But it’s the latter, especially posters, that have become the hottest items sought by collectors. Referred to as bills, slang for handbills, they became an important element in the success of term computing networks, any circus early on. Advertising a circus was a challenge before radio, T.V. and essay on musical the Internet. To be successful, a circus owner had to market his show–which often ran for only a day–from scratch just about every week. To stay ahead of the competition from competing shows, an owner had to create a brand name (his circus’ title) that would be so recognizable as to generate repeat patrons for his circus.

In addition, he had to advertise the features of his show to set it apart from others. And, finally, he had to display the texting driving essay, date of the show prominently so patrons could plan to essay attend. To create poster illustrations, early 19 th -century printers used mahogany wood blocks for wood engravings and pine blocks for cruder woodcuts. Because the mahogany blocks were expensive and the engravings hard to make, printers used them over and over texting while essay again for different show posters. Essay On Musical! Many early posters, printed on bright white, medium- weight rag paper with oil-based inks, included the name of the show, with a date added later by the circus’ advance crew. The invention of the lithographic printing process in pen essay winners the 1798 by on musical, Aloys Senefelder, a German map inspector, drastically changed poster production. Using this process,, which depends on the mutual repulsion of water and seat online grease, printers applied a design using a greasy crayon or liquid onto on musical, a 28 x 42-inch block of limestone. Then onto the wet stone they would roll oil-based ink, which would adhere to texting while the greasy drawing or painting, and run it through a press to on musical performance transfer the image onto dampened paper. Winners 2009! Though sparingly used for almost 50 years after it appeared, it had become an indispensable tool for printers by on musical performance, the 1880s.

Printers enlisted the services of the finest artists to design circus posters. However, few signed their work. While some specialized in particular subjects, most worked in teams to while outline create the on musical, posters in a more or less assembly line process. Winners 2009! Therefore, posters became known by the companies that printed them and not by the artists who created them. Probably the on musical performance, greatest image ever produced as a circus poster design was that of a leaping tiger, designed by the noted illustrator Charles Livingston Bull in 1914, said Neil C. Cockerline, circus historian. This particular image may well be the most recognizable circus image in history, and it is term paper mobile and social networks, still utilized today, often appearing in set and costume designs in essay on musical current productions of the Ringling Bros. and Barnum Bailey Circus. Printers offered stock poster designs featuring acrobats, clowns, elephants and other wild animals to which they added the show title and date. Texting Essay! Available through catalogs, these cost much less than specially designed editions. It was not uncommon for more than one circus to use the same poster designs in the same season, the only difference being the show title on the posters, added Cockerline. Printed stock posters might remain in storage for years until they were sold to a circus to be used. Performance! It is not uncommon to an outline find posters used during a specific year which had actually been printed decades before.

Printers based a poster’s dimensions on the size of the printing bed. After the essay performance, introduction of computing and social networks, lithography, the size of a litho stone, called a sheet, became the standard. So printers identified posters in units of sheets or half-sheets. Horizontal posters became known as flats and verticals, uprights. Essay On Musical Performance! Larger posters came in an outline for a college multiple sheet sizes from 2 to 24. The combination of sheets determined the type of poster produced. Identifying and Dating Circus Posters. Circus posters can be identified by their creases since all needed to be folded for on musical storage and shipment, and each show printer folded his posters in a slightly different way. Coursework! But they can also be dated by looking for date sheets–smaller papers pasted onto posters indicating the day and date of the essay, show and only good for one day and town–as well as date tags, small strips pasted along the bottoms of pictorial one and half-sheet posters by advance billing crews. These can help a collector identify the year a circus used a poster since shows kept yearly records of their routes, which are now housed in museums such as the Hertzberg Circus Museum in San Antonio, Texas. According to Cockerline, when billposters and lithographers became unionized by the 1950s, any poster put up got a Billposter's Union Stamp, which is another way of dating a poster.

Different Posters for Different Purposes. Circuses used a variety of posters to advertise their shows. Printers created half-sheet and full-sheet panels featuring horizontal or vertical illustrations especially to fill narrow spaces in store windows, to allow advertising without covering too much of the window display. One-sheet panels measured 21x 54. Half-sheet panels, printed with either vertical or horizontal designs, measured 14x 42. Texting While Essay! Guttersnipe referred to circus paper several feet wide by only a few inches high that was intended to go on rain gutters over store fronts; and banners, for outdoor displays, were usually mounted on thin stiff cloth. Small one-color-on-white date sheets, printed using the letterpress printing process, displayed the circus’ name, date and location of the on musical, show. Advance men plastered these all over an outline for a college essay a town several weeks before a circus was to arrive. Thus, circuses were the first to use saturation advertising. Window cards or placards, consisting of an essay, image printed on a facing sheet backed with cardboard, were another form of poster, usually in quarter-sheet dimensions or less often in odd-sized dimensions between a quarter- and half-sheet size.

In the mid-1970's, Ringling Brothers and Barnum Bailey adopted a policy of seat assignments, using only a single poster design for each edition of their circus, often incorporating a variety of featured acts or attractions in the design. The poster designs also incorporated large blank spaces allowing for localized information to be printed in performance as needed, thus eliminating the need for date tags and date sheets. By the late 1970's, few circuses even used posters, and texting while essay outline many shows opted to use window cards only, which could be placed indoors or simply be stapled to performance telephone poles outside. According to circus aficionados, the finest printer of circus posters was Strobridge Company of Cincinnati. Today, Strobridge posters are the most popular with collectors. Circus Poster Reproductions. Any printed design can at some time be reproduced. Delta Assignments Online! In any collectible market that warrants high prices for items, you’ll always run into people reprinting originals, said Brad Hopper of Track16vintage.com, of Santa Monica, CA. Performance! In some cases it hurts the market, especially when people don't care that it’s original, but in most cases, it just shows that.

there’s a high demand for the originals. Serious collectors must have the original or they don't collect the item at all. According to Alan Wigton, owner of Little Journeys Bookshop of Mansfield, Ohio, there are many circus poster reproductions, usually of smaller sizes done for resale at texting while driving, circus shows. Most circus posters sold on eBay are these, he said. Outright fakes are perhaps less of a problem than with other collecting areas. But collectors have to learn the reproductions if they’re interested in on musical the more exotic older images. Wigton added that the broad range of online, post-war posters are a bit tougher to sell than some of the other circus ephemera from the period such as programs, route books, etc.

Prices are pretty affordable as a result, he said. Prices of pre-World War I and performance late 19th century posters are a different story. They’re scarce, of course, with a few deep pocket collectors ready to pay for the best ones. In all areas there’s a certain amount of market for assignments circus posters as decoration, without respect to essay on musical collecting, per se. Wigton noted that most collectors of circus material go for a few posters to augment a collection, but they find it tough to display more than a few and aren't as avid about them. The Market for Circus Posters. One interesting thing I found. was that there seems to never have been any sort of coursework, price guide for circus collectibles specifically, at on musical performance, least none that I could find, Wigton said. People who like circuses are beer and hot dog types.

There are avid collectors, but they’re pretty down to Earth, and not the biggest spenders. Generally speaking, circus posters can sell anywhere from $30 to $375. With such a broad range, collectors must take the specific circus, date, and condition into themes essay, consideration. Essay! At the low end might be a mint (never hung) Famous Cole 3 Ring Circus poster with black type on 44 x 28 yellow stock, with show name and driving motto in type as much as 10 inches high for $30. At the essay on musical performance, high end might be a rare Cole Bros. Term Mobile! Circus 22½ x 42½ poster from the Erie Litho. Ptg Co., Erie PA., with the title, Cole Bros. Circus Presents Quarter- Million Pound Act of Performing Elephants–The Most Colossal Train Animals Display Ever Presented for $375 (Antique Carta, Richardson, TX) Circus placards sell for $25 to $60. For $25, a collector might find a very good Shill Bros.

Trained Animal Circus 14x22 poster with red type on a white card, with a date but no town. This was a Here poster, often used by essay, smaller mud or overland traveling shows with a one-man advance who booked and placed advertising the same day. At the pe aqa, high end might be a weathered Al G. Kelly and Miller Bros. Circus four-color, 14x22 poster by the Acme Show Print Co., featuring a face-painted clown entering the essay on musical, big top, from Wooster, Ohio with date for $60. All of the a level coursework, above items, except where noted, are listed in the catalog of the Little Journeys Bookshop, Mansfield, OH. The largest and most active collectors’ group for on musical circus materials is Circus Fans of America. According to Wigton, their annual convention attracts hundreds of people buying and selling circus items.

The circus is still a vital part of American culture, however, much of the advertising is now handled by college, the media through T.V. and essay on musical radio ads. The gaudy posters once plastered on building walls have succumbed to the brightly colored advertising of the 21 th Century. A ll articles and photographs on this site are available for winners purchase by print and online publications.